DICAEOPOLIS
Friends, leave the Laconians out of debate and consider only
whether I have not done well to conclude my truce.
CHORUS
Done well! when you have treated with a people who know neither
gods, nor truth, nor faith.
DICAEOPOLIS
We attribute too much to the Laconians; as for myself, I know that
they are not the cause of all our troubles.
CHORUS
Oh, indeed, rascal! You dare to use such language to me and then
expect me to spare you!
DICAEOPOLIS
No, no, they are not the cause of all our troubles, and I who
address you claim to be able to prove that they have much to
complain of in us.
CHORUS
This passes endurance; my heart bounds with fury. Thus you dare to
defend our enemies.
DICAEOPOLIS
Were my head on the block I would uphold what I say and rely on
the approval of the people.
CHORUS
Comrades, let us hurl our stones and dye this fellow purple.
DICAEOPOLIS
What black fire-brand has inflamed your heart! You will not hear
me? You really will not, Acharnians?
CHORUS
No, a thousand times, no.
DICAEOPOLIS
This is a hateful injustice.
CHORUS
May I die, if I listen.
DICAEOPOLIS
Nay, nay! have mercy, have mercy, Acharnians.
CHORUS
You shall die.
DICAEOPOLIS
Well, blood for blood! I will kill your dearest friend.

Lysistrata: O women, if we would compel the men to bow to Peace, [...] We must refrain from every depth of love.... Why do you turn your backs? Where are you going? Why do you bite your lips and shake your heads? Why are your faces blanched? Why do you weep? (tr. Lindsay 1925, Perseus)

Lysistrata: Oh, Calonicé, my heart is on fire; I blush for our sex. Men will have it we are tricky and sly...

Calonicé: And they are quite right, upon my word!

Lysistrata: Yet, look you, when the women are summoned to meet for a matter of the last importance, they lie abed instead of coming.

Calonicé: Oh, they will come, my dear; but 'tis not easy you know, for a woman to leave the house. One is busy pottering about her husband; another is getting the servant up; a third is putting her child asleep or washing the brat or feeding it.

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Praxagora: I want all to have a share of everything and all property to be in common; there will no longer be either rich or poor; [...] I shall begin by making land, money, everything that is private property, common to all. [...] Blepyrus: But who will till the soil? Praxagora: The slaves. (tr. O'Neill 1938, Perseus)

LYSISTRATA You know how to work. Play with him, lead him on, Seduce him to the cozening-point — kiss him, kiss him, Then slip your mouth aside just as he's sure of it, Ungirdle every caress his mouth feels at Save that the oath upon the bowl has locked. MYRRHINE

Frogs embraces two transcendent issues, the decline of Athens as a great power, as the long Peloponnesian War (431-404) approached its end, and the decline of tragedy as a great form of art, with the recent deaths of the last two preeminent tragedians.

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But even in this perilous situation, the popular leader Cleophon managed to persuade the Athenians to reject the chance of a negotiated peace offered by Sparta after Arginusae, so that it is hardly surprising that the Athenians responded so warmly to the parabasis of Frogs, where the Chorus aptly upbraids them for choosing as leaders and fighters not the best men but the worst, just as they have traded their gold and silver coinage for base metal (686-705, 717-37).