When he wrote that 1,500-word piece for The Times using just one full-stop, it wasn't to show off his command of syntax and semi-colons (well, maybe it was a little), but because that's how his brain worked: marshalling metaphors, highly selective facts, quixotic asides and fearless insults into a single, uninterruptible narrative that rolled on and on rather like his beloved Wagner's operas, but with considerably more jokes.
British journalist, writer and broadcaster (1928–2004)
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Come; if you were worried about your children eating too many things with sugar in them, because you feared it would harm their teeth, which would you do - stop the Mars bars or ensure that they brushed their teeth thoroughly? You would vote for the toothbrush? Well, the food-wowsers would vote the other way, and that is how you know them.
But once upon a time, we could play shove ha'penny, and read a penny dreadful, and sing a song of sixpence, and take the King's shilling; and once upon a time even further in the past, five sparrows could be bought for two farthings, and yet not be forgotten. Somehow, the transaction would not have had the same effect if the sparrows had been sold for two pee.
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As a child he had been brought up in the grim backstreets of 1930s Somers Town (between St Pancras and Euston stations) by his mother and her parents — Jewish refugees from Lithuania. His father had walked out on them when Bernard was three. That early betrayal, I always felt, explained a lot about why he stayed a bachelor. It was as if he used his intellect to dazzle because he found it difficult to communicate, or commit, on an emotional level.
The explosion of peaceful, mass revolt which has ended Soviet rule from Berlin to Bucharest - and will shortly end it also from Lvov to Vladivostok - was set off not by the eloquence of charismatic leaders, not by hatred of the oppressors, not by hope of gain, but by that tiny yet searing flame which is in us all, and which no Niagara of oppression, hunger or torture can ever extinguish.
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As for trying to be funny — well, long ago the late proposed that typographers should design a new face, which would slop the opposite way from italics, and would be called "ironics". In this type-face jokes would be set, and no-one would have any excuse for failing to see them. Until this happy development takes place, I am left with the only really useful thing journalism has taught me: that there is no joke so obvious that some bloody fool won't miss the point.