The explosion of peaceful, mass revolt which has ended Soviet rule from Berlin to Bucharest - and will shortly end it also from Lvov to Vladivostok - was set off not by the eloquence of charismatic leaders, not by hatred of the oppressors, not by hope of gain, but by that tiny yet searing flame which is in us all, and which no Niagara of oppression, hunger or torture can ever extinguish.

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When he wrote that 1,500-word piece for The Times using just one full-stop, it wasn't to show off his command of syntax and semi-colons (well, maybe it was a little), but because that's how his brain worked: marshalling metaphors, highly selective facts, quixotic asides and fearless insults into a single, uninterruptible narrative that rolled on and on rather like his beloved Wagner's operas, but with considerably more jokes.

Political cynicism strode on, quickening its pace; and no wonder. Attempts were made from time to time to authorise the presence of television cameras in the House of Commons, to bring the sight of the legislature at work into the homes of the people, and thus forge stronger links between voters and voted-for, to the lasting benefit of both.

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But once upon a time, we could play shove ha'penny, and read a penny dreadful, and sing a song of sixpence, and take the King's shilling; and once upon a time even further in the past, five sparrows could be bought for two farthings, and yet not be forgotten. Somehow, the transaction would not have had the same effect if the sparrows had been sold for two pee.

As a child he had been brought up in the grim backstreets of 1930s Somers Town (between St Pancras and Euston stations) by his mother and her parents — Jewish refugees from Lithuania. His father had walked out on them when Bernard was three. That early betrayal, I always felt, explained a lot about why he stayed a bachelor. It was as if he used his intellect to dazzle because he found it difficult to communicate, or commit, on an emotional level.

I became a journalist by accident, and stayed one. Just as well; I have no other talent whatever, even in the most modest and rudimentary form. I can't paint or compose or write novels; I couldn't be a businessman or financier; I would be impossible as a teacher and a disaster as an actor.

Solzhenitsyn is certainly the hero of our time that Levin says he is, but it does no good for Levin to gush over him as if he were Kiri Te Kanawa. Just as Levin's admiration for Kiri Te Kanawa would count for more if he interrupted his praise of her undoubtedly gorgeous voice to point out that in Lieder concerts she has occasionally been known to sing a stanza with its lines in reverse order, so his admiration for Solzhenitsyn would count for more if he could entertain the possibility that Solzhenitsyn's challenging call for a unifying sense of purpose on the part of the free world is a contradiction in terms. If the free world had a unifying sense of purpose it would not be free.