Aldous Huxley took the drug mescaline and then chronicled his experience in the book The Doors of Perception. Now, I don't actually think that's the first thing he wrote: he probably wrote 'my brain is melting' ten thousand times, but it was the book that the critics latched on to.

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The national [Welsh] dish, cheese on toast, that's fantastic. "That's no bother". "We're having a big ambassadorial reception." "All right, I'll get the grill on shall I? You want a bit of chutney on it?" "No, don't go mad Rhodri, it's only Fiji." I think though that it has actually hampered Wales's cultural diversity, because if you think of the other national dishes, like Ireland - Irish stew, bubbling away for hours on end, during which time poems are written, plays are written, fine linen is crafted, the whimsy is spun; Scotland, you have haggis, many many days it takes to pulverise the eyes, lips and all the toes, every [part] of the animal, the hooves, the shirt, the trousers, the abbatoir worker's laundry, everything goes in there, and it's bubbling away for days on end under the ground in the lung of a small burrowing animal, during which time electric light is invented, penicillin, a fine legal structure, those little things you lick, press down and they ping back up, 'Oh, I forgot about them, oh yeah'; England, roast beef, roasting away for days on end, during which time poor, defenceless countries around the world are brought under the relentless yoke of imperial oppression; Wales, cheese on toast, "Right...oh, it's ready. Shit."
Ch. 9, 17:43

You knew exactly who the good guys were and who were the bad guys just by the chord: the good guys got a perfect fifth - strong, compassionate - the bad guys got an augmented fourth... Just a semitone, but sometimes in life when you make the wrong choices, it's just a semitone out.

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Talking of tough gigs, I saw a very tough gig in New York, it was Whitney Houston. She was doing this open-air gig in New York. It was in the winter, and it was like minus eight degrees, in Lincoln Plaza. She was meant to be on at three, there were about three-thousand people there. Ten past three, no sign of Whitney. Half past three, crowd getting a bit grumpy, a bit restless. Eventually, four o'clock, Whitney sashays onto the stage in a fur coat. She comes up to the microphone, she says "I just want to say I love every single one of you." And this huge black guy next to me says "Sing, bitch!". Tough crowd.

(On being prepped for a gig supported by the bank, UBS) She told me not to mention Nazi Gold, and of course if you tell a comedian not to do something, they'll immediately go and do it. So I went out on stage on a giant, neon Swastika, and sang "Gold, gold/always believe in your soul/you're indestructible-like the Third Reich!""

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When I was a child, I was terrified by this. (plays theme from The Magic Roundabout ) It was very sinister, wasn't it? It just went on and on, like Dante's seventh circle of Hell. I recently found out there was a secret middle section deemed unsuitable for small children. There's about four hours of this, then it all starts to go a bit weird.
(plays discordant music)
(Booming echoing voice) I am Zebedee, lord of the woods! Bow down snail, I have dominion!
Ch. 38, 1:24:37

A lot of people say there's a fine line between genius and insanity. I don't think there's a fine line, I actually think there's a yawning gulf. You see some poor bugger scuffling up the road with balloons tied to his ears, he's not going home to invent a rocket, is he?