Bruce Sterling Quotes

Laura listened to their crude P. R. with sour amusement. They wouldn’t crank out this level of rhetoric unless they were trying to hide a real weakness, she thought.

Obsolescence and death, the reign of the archaic, the abandoned, and the corny: Really, if you saw Windows 3.0 on the sidewalk outside the building, would you bend over and pick it up?!?

The Dark Age world had all kinds of potential issues that might bother Anita Atkinson: climate crisis, state collapse, financial ruin, mass extinction, catastrophic population dieback. None of those things bothered Anita, though, because she didn’t understand long words.

When you're deconstructing a book it's like you're psychoanalyzing it, you're not studying it for what it says, you're studying it for the assumptions it makes and the cultural reasons for its assemblage.... What this essentially means is that you're not letting it touch you, you're very careful not to let it get its message through or affect you deeply or emotionally in any way.

Working seriously, improving your taste and perception and understanding, knowing what you are and where you came from, not only improves your work in the present, but gives you a chance of influencing the future and links you to the best work of the past. It gives you a place to take a solid stand.

You can get a hell of a lot done in a popular medium just by knocking it off with the bullshit.

The real advantage of CDs is that they allow you to forget all your vinyl records. You think you love this record collection that you've amassed over the years. But really the sheer choice, the volume, the load of memory there is secretly weighing you down. You're never going to play those Alice Cooper albums again, but you can't just throw them away, because you're a culture nut.

“But Dad... what if I just beat people up with my baton? Wouldn’t they have to do whatever I say?”
Pitar laughed. “That’s been tried. It never works out well.”

As tempers rose, a compromise was urged by certain moderates, whom everyone ignored.

My art, science fiction writing, is pretty new as literary arts go, but it labors under the curse of three thousand years of literacy. In some weird sense I'm in direct competition with Homer and Euripides.

Clearly, Mother de Gupta dearly loved motherhood – mostly, for the chance that it offered her to boss around small, helpless people.

Emily Dickinson didn't even publish books, she just wrote these demented little poems with a quill pen and hid them in her desk, but they still fought their way into the world, and lasted on and on and on. It's damned hard to get rid of Emily Dickinson, she hangs on like a tick in a dog's ear.

Mashups [...] nobody's going to listen to mashups in another ten years. Mashups are novelty music. They're like "The Monster Mash." They have no musical staying power. You're pursuing a phantom there. It's bad music, I mean, it's not bad— it's a pastiche, it's like magazine collage— which can be good for what it is. But to pretend that that's like tremendous creative work— No! It's a tremendous creative power— and it can have a tremendous audience, but it's not tremendously good. And we need a little bit of aesthetic honesty in confronting things like this. Just because it's new, and people with laptops can do it, and get away with it, and find an audience for it, does not make it a real cultural advance. It's an epiphenomenon.

I don't think that as a culture today we're very interested in tradition or continuity. No, we're a lot more interested in being a New Age and a revolutionary epoch, we long to reinvent ourselves every morning before breakfast and never grow old.

She’d read somewhere once that 90 percent of the world’s havoc was committed by men between fifteen and twenty-five.