Bruce Sterling Quotes

Interstitialism is very postmodern, in that it calls old definitions into question without bothering to invent plausible new ones.

There are a lot of times and places where "humanity" is headed in no place in particular. Those scenes interest me. Like, little European cultures with weird minority languages, who are just hanging around in obscure mountain valleys, making clay pots and singing, and knifing each other on Tuesdays... It's not like we all line up and dash like mad for some end-goal called "The Future." There's no victory-condition for being human. The future is just a kind of history that hasn't happened yet.

The autumn sun shone brightly. It was still the same sun and the same clouds. The sun didn’t care about the landscape inside people’s heads.

Mashups [...] nobody's going to listen to mashups in another ten years. Mashups are novelty music. They're like "The Monster Mash." They have no musical staying power. You're pursuing a phantom there. It's bad music, I mean, it's not bad— it's a pastiche, it's like magazine collage— which can be good for what it is. But to pretend that that's like tremendous creative work— No! It's a tremendous creative power— and it can have a tremendous audience, but it's not tremendously good. And we need a little bit of aesthetic honesty in confronting things like this. Just because it's new, and people with laptops can do it, and get away with it, and find an audience for it, does not make it a real cultural advance. It's an epiphenomenon.

When you're deconstructing a book it's like you're psychoanalyzing it, you're not studying it for what it says, you're studying it for the assumptions it makes and the cultural reasons for its assemblage.... What this essentially means is that you're not letting it touch you, you're very careful not to let it get its message through or affect you deeply or emotionally in any way.

Centralized bureaucracies always protect the status quo. They don’t innovate. And it’s innovation that’s the real threat.

As tempers rose, a compromise was urged by certain moderates, whom everyone ignored.

The real advantage of CDs is that they allow you to forget all your vinyl records. You think you love this record collection that you've amassed over the years. But really the sheer choice, the volume, the load of memory there is secretly weighing you down. You're never going to play those Alice Cooper albums again, but you can't just throw them away, because you're a culture nut.

Clearly, Mother de Gupta dearly loved motherhood – mostly, for the chance that it offered her to boss around small, helpless people.

This <nowiki>[deconstruction]</nowiki> is a way for modern literateurs to handle this vast legacy of the past without actually getting any of the sticky stuff on you. It's like it's dead. It's like the next best thing to not having literature at all.

You know when it really got bad here? When they tried to help. With medicine. And irrigation. They sank deep wells, with sweet, flowing water, and of course the nomads settled there. So instead of moving their herds on, leaving the pastures a chance to recover, they ate everything down to bare rock, for miles around every well. And the eight, nine children that African women have born from time immemorial—they all lived. It wasn’t that the world didn’t care. They struggled heroically, for generations, selflessly and nobly. To achieve an atrocity.

For God's sake don't put my books into the Thomas Edison kinetoscope... don't tie my words and my thoughts to the fate of a piece of hardware, because hardware is even more mortal than I am, and I'm a hell of a lot more mortal than I care to be.

Believe me there are few things deader or more obsolescent than a science fiction novel that predicts the future when the future has passed it by.

Where there’s war, there’s whores.

Real life was where the baby was.