Canadian author
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Sara Kendell once read somewhere that the tale of the world is like a tree. The tale, she understood, did not so much mean the niggling occurrences of daily life. Rather it encompassed the grand stories that caused some change in the world and were remembered in ensuing years as, if not histories, at least folktales and myths. By such reasoning, Winston Churchill could take his place in British folklore alongside the legendary Robin Hood; Merlin Ambrosius had as much validity as Martin Luther. The scope of their influence might differ, but they were all a part of the same tale.
She knew this music — knew it down to the very core of her being — but she had never heard it before. Unfamiliar, it had still always been there inside her, waiting to be woken. It grew from the core of mystery that gives a secret its special delight, religion its awe. It demanded to be accepted by simple faith, not dissected or questioned, and at the same time, it begged to be doubted and probed.
"There's something wrong inside of me," she said. "I don't know at it is. It feels big and heavy and sometimes it makes it hard to breathe." She lifted her hands eyes. "And tears keep leaking out of my eyes. Is this what sadness feels like?" "That's what it feels like for me." I replied. "It's funny. I've heard about it in a lot of the stories I've collected, but I never knew it felt like this before." She sighed "it's so heavy......"
"I know." I replied "I know."
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