Who is he?" she asked. "Or maybe I should be asking what is he?"
"I've always thought of him as a kind of anima, Jilly said. "A loose bit of myth that got left behind when all the others went on to wherever it is that myths go when we don't believe in them anymore.

Our lives are stories, and the stories we have to give to each other are the most important. No one has a story too small and all are of equal stature. We each tell them in different ways, through different mediums — and if we care about each other, we'll take the time to listen.

We got to stop asking for things, stop waiting for people to give us the things we think we need. All we really need is the stories. We have the stories and they’ll give us the one thing nobody else can, the thing we can only take for ourselves, because there’s nobody can give you back your pride. You’ve got to take it back yourself.

He had seen trances before — wise men far in the east, who could feign death; a herbwife as she bent over her patient, searching for invisible hurts. But this was different. He could sense something here, within the circle cast by the light of the fire. A presence. Presences...

What I’ve got to talk about, I don’t think a priest wants to hear. What does a priest know or care about secular concerns? All they want to talk about is God. All they want to hear is a tidy list of sins so that they can prescribe their penances and get on to the next customer.

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I don't know why I care what people write about me after I'm dead, except that since I invest so much of my time telling the truth in my fiction, I'd hate to see someone play fast and loose with the pieces of my life. I don't care what they might think of me; but I don't want lies about my life used to invalidate the stories. My characters seem real because they are drawn from the realities of my life. I didn't have to research their pain; I just tapped into my own.