Across the globe, in dark places of the earth, secret lairs were rarely caves of monsters or marvels but markets. Shops. The worst-kept secret in circulation was that certain activities invested items in their proximity with certain affects, effects, and powers, and made them hugely valuable. And that thus it was imperative that they be sold. That, certainly, had been the case for as long as there had been people and things, but there were always fluctuations. The occult economies of charged items were always jostling.

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He was, after all, the scientist-outcast, the disreputable thinker who walked out of a lucrative teaching post to engage in experiments too outrageous and brilliant for the tiny minds who ran the university. What did he care for convention? He would sleep with whomever and whatever he liked, surely!

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The rotting buildings lean against each other, exhausted. The river smears slime on its brick banks, city walls risen from the depths to hold the water at bay. There is a vile stink here. (I wonder how this looks from above, no chance for the city to hide then, if you came at it on the wind you would see it from miles and miles away like a dirty smear, like a slab of carrion thronging with maggots, I should not think like this but I cannot stop now, I could ride the updrafts that the chimneys vent, sail high over the proud towers and shit on the earthbound, ride the chaos, alight where I choose, I must not think like this, I must not do this now, I must stop, not now, not this, not yet.)

Part of you understands without recourse to words, even if your higher mind asks questions in a format which renders an answer impossible." He looked at her triumphantly. "You too are the bastard-zone, Ms. Lin! Your art takes place where your understanding and your ignorance blur.

The thing about good pulp is that you trust the reader and you know that the mind is a machine to process metaphors so of course all those connections will be there. But you've also granted the fantastic its own dynamic and allowed that awe. There's no contradiction. So I want to have monsters as a metaphor but I also want monsters because monsters are cool. There's no contradiction.

I suppose there were other institutions in Embassytown where the dynamic of the quotidian sustained—some hospitals, perhaps some schools, perhaps houses where shiftparents most deeply loved the children. Whenever any society dies there must be heroes whose fightback is to not change.

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And for what it's worth, which in my professional opinion isn't a bloody lot, I'll pray for you." "Pray to what?" Marge said. He smiled. The jukebox played "Wise Up Sucker" by Pop Will Eat Itself. "Fuck it," the man said. "Tell you what. What's the point collecting stuff you don't use? I'll pray to all of them.