China Miéville Quotes

It’s the first principle, isn’t it? Whoever’s arguing fiercest for violence is the cop.

Koning was a self-made expert. She snuggled what she’d bought in the nest she had made of shredded grimoires and scrunched-up rules of engagement. She watched it. It did nothing.

If a murderer stalked the mansions of Flag Hill or Canker Wedge, would the militia waste any time or spare resources? Why, no! The hunt for Jack Half-a-Prayer proves it! And yet, when the Eyespy Killer strikes in Smog Bend, nothing happens! Another eyeless victim was fished from the Tar last week-bringing the number killed to five-and not a word from the blue-clad bullies in the Spike. We say: it’s one law for the rich, another for the poor!

How is it appropriate to feel? she thought. Only humans dread. Dread is appropriate to nothing. It’s the surplus of animal fear, it’s never indicated, it’s nothing but itself.

She probably used proxies and a cleaner-upper online too, because there was bugger-all of interest in her cache." "You have no idea what you're saying, do you, boss?" "None at all. I had the techies write it all out phonetically for me.

The rotting buildings lean against each other, exhausted. The river smears slime on its brick banks, city walls risen from the depths to hold the water at bay. There is a vile stink here. (I wonder how this looks from above, no chance for the city to hide then, if you came at it on the wind you would see it from miles and miles away like a dirty smear, like a slab of carrion thronging with maggots, I should not think like this but I cannot stop now, I could ride the updrafts that the chimneys vent, sail high over the proud towers and shit on the earthbound, ride the chaos, alight where I choose, I must not think like this, I must not do this now, I must stop, not now, not this, not yet.)

I refuse to play the wink-wink-nudge-nudge game with readers. I don’t like whimsy because it doesn’t treat the fantastic seriously, and treating the fantastic seriously is one of the best ways of celebrating dialectical human consciousness there is. The one-sided celebration of the ego-driven contextually constrained instrumentally rational (as opposed to rational in a broader sense) is bureaucratic: the one-sided celebration of the subconscious, desire/fantasy driven is at best utopian, at worst sociopathic. The best fantasies—which include sf and horror—are constructed with a careful dialectic between conscious and subconscious.

Why wouldn’t the gods of the world be giant squid? What better beast? It wouldn’t take much to imagine those tentacles closing around the world, now would it?

I’m not waiting to die, I don’t believe I’ll die, I am waiting for something else.
To arrive. To understand. To be at my destination.

You make what you see into a window, and you see what you want through it. You make what you see a sort of a door.

“Whether you agree with the bloody predicates or not, Constable Collingswood, you should consider the possibility that faith might be a way of thinking more rigorously than the woolly bullshit of most atheists. It’s not an intellectual mistake.” He tapped his forehead. “It’s a way of thinking about all sorts of other things, as well as itself. The Virgin birth’s a way of thinking about women and about love. The ark is a far more bloody logical way of thinking about the question of animal husbandry than the delightful ad hoc thuggery we’ve instituted. Creationism’s a way of thinking I am not worthless at a time when people were being told and shown they were. You want to get angry about that bloody admirable humanist doctrine, and why would you want to blame Clinton. But you’re not just too young, you’re too bloody ignorant to know about welfare reform.”
They stared at each other. It was tense, and weirdly slightly funny.
“Yeah but,” Collingswood said cautiously. “Only, it’s not totally admirable, is it, given that it’s total fucking bollocks.”
They stared some more.
“Well,” Vardy said. “That is true. I would have to concede that, unfortunately.” Neither of them laughed, but they could have done.

New Weird—along with the other mo(ve)ments of which it’s some kind of cousin, the Ratbastards, the Interstitial Arts, the New Space Opera and others—reflected a major cultural shake-up. Soon, though, if not already, those groups will have their epigones, and will probably be the very fantasy mainstream they were railing against. At which point, doubtless, some new punkass radicals will come along and subvert us all, by writing about hobbits.

Across the globe, in dark places of the earth, secret lairs were rarely caves of monsters or marvels but markets. Shops. The worst-kept secret in circulation was that certain activities invested items in their proximity with certain affects, effects, and powers, and made them hugely valuable. And that thus it was imperative that they be sold. That, certainly, had been the case for as long as there had been people and things, but there were always fluctuations. The occult economies of charged items were always jostling.

It had some allies. Believe me, there’s nothing so terrible that someone won’t support it.

Behind her, for a moment, the sky was very full: an aerostat droned in the distance; tiny specks lurched erratically around it, winged figures playing in its wake like dolphins round a whale; and in front of them all another train, heading into the city this time, heading for the centre of New Crobuzon, the knot of architectural tissue where the fibres of the city congealed, where the skyrails of the militia radiated out from the Spike like a web and the five great trainlines of the city met, converging on the great variegated fortress of dark brick and scrubbed concrete and wood and steel and stone, the edifice that yawned hugely at the city’s vulgar heart, Perdido Street Station.