In the American way of life pleasure involves comfort, convenience, and sexual stimulation. Pleasure, so defined, has little to do with the past and views the future as no more than a repetition of a hedonistically driven present. This market morality stigmatizes others as objects for personal pleasure or bodily stimulation. The reduction of individuals to objects of pleasure is especially evident in the culture industries — television, radio, video, music. Like all Americans, African Americans are influenced greatly by the images of comfort. These images contribute to the predominance of the market-inspired way of life over all others and thereby edge out nonmarket values — love, care, service to others — handed down by preceding generations. The predominance of this way of life among those living in poverty-ridden conditions, with a limited capacity to ward of self-contempt and self-hatred, results in the possible triumph of the nihilistic threat in black America.
American philosopher, political activist and writer (born 1953)
Cornel Ronald West (born 2 June 1953 in Tulsa, Oklahoma) is an American philosopher, political activist, social critic, author, and public intellectual. The son of a Baptist minister, West focuses on the role of race, gender, and class in American society and the means by which people act and react to their "radical conditionedness." A radical democratic socialist, West draws intellectual contributions from multiple traditions, including Christianity, the black church, Marxism, neopragmatism, and transcendentalism. Among his most influential books are Race Matters (1994) and Democracy Matters (2004). He is currently running a third-party campaign in the 2024 United States presidential election.
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"This sense of political impotence-"this experience of acquiescence without commitment"'-yields three basic forms of politics: sporadic terrorism for impatient, angry and nihilistic radicals; professional reformism for comfortable, cultivated and concerned liberals; and evangelical nationalism for frightened, paranoid and accusatory conservatives."
Black anti-semitism is a form of underdog resentment and envy, directed at another underdog who has made it in American society. The remarkable upward mobility of American Jews — rooted chiefly in a history and culture that places a premium on higher education and self-organization — easily lends itself to myths of Jewish unity and homogeneity that have gained currency among other groups, especially among relatively unorganized groups like black Americans. The high visibility of Jews in the upper reaches of the academy, journalism, the entertainment industry, and the professions — though less so percentage-wise in corporate America and national political office — is viewed less as a result of hard work and success fairly won and more as a matter of favoritism and nepotism among Jews. Ironically, calls for black solidarity and achievement are often modeled on myths of Jewish unity — as both groups respond to American xenophobia and racism. But in times such as these, some blacks view Jews as obstacles rather than allies in the struggle for racial justice.
The political triumph of Donald Trump is a symbol and symptom—not cause or origin—of our imperial meltdown. Trump is neither alien nor extraneous to American culture and history. In fact, he is as American as apple pie. Yet he is a sign of our spiritual bankruptcy—all spectacle and no substance, all narcissism and no empathy, all appetite and greed and no wisdom and maturity. Yet his triumph flows from the implosion of a Republican Party establishment beholden to big money, big military, and big scapegoating of vulnerable peoples of color, LGBTQ peoples, immigrants, Muslims, and women; from a Democratic Party establishment beholden to big money, big military, and the clever deployment of peoples of color, LGBTQ peoples, immigrants, Muslims, and women to hide and conceal the lies and crimes of neoliberal policies here and abroad; and from a corporate media establishment that aided and abetted Trump owing to high profits and revenues. (2017 introduction)
The blues is relevant today because when we look down through the corridors of time, the black American interpretation of tragicomic hope in the face of dehumanizing hate and oppression will be seen as the only kind of hope that has any kind of maturity in a world of overwhelming barbarity and bestiality. That barbarity is found not just in the form of terrorism but in the form of the emptiness of our lives - in terms of the wasted human potential that we see around the world. In this sense, the blues is a great democratic contribution of black people to world history.
Like alcoholism and drug addiction, nihilism is a disease of the soul. It can never be completely cured, and there is always the possibility of relapse. But there is always a chance for conversion — a chance for people to believe that there is hope for the future and a meaning to struggle... Nihilism is not overcome by arguments or analyses; it is tamed by love and care.
In these downbeat times, we need as much hope and courage as we do vision and analysis; we must accent the best of each other even as we point out the vicious effects of our racial divide and pernicious consequences of our maldistribution of wealth and power. We simply cannot enter the twenty-first century at each other's throats, even as we acknowledge the weighty forces of racism, patriarchy, economic inequality, homophobia, and ecological abuse on our necks. We are at a crucial crossroad in the history of this nation--and we either hang together by combating these forces that divide and degrade us or we hang separately. Do we have the intelligence, humor, imagination, courage, tolerance, love, respect, and will to meet the challenge? Time will tell. None of us alone can save the nation or world. But each of us can make a positive difference if we commit ourselves to do so. (p 109)
Market moralities and mentalities — fueled by economic imperatives to make a profit at nearly any cost — yield unprecedented levels of loneliness, isolation, and sadness. And our public life lies in shambles, shot through with icy cynicism and paralyzing pessimism. To put it bluntly, beneath the record-breaking stock markets on Wall Street and bipartisan budget-balancing deals in the White House lurk ominous clouds of despair across this nation.
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[Bernie Sanders is]...an anti-racist in his heart. Two, he’s old-school. He’s like me. He doesn’t know the buzzwords. He doesn’t endorse reparations, one moment in the last 30 years, silent on it. He has the consistency over the years decade after decade and therefore it’s true in his language, in his rhetoric. There are times in which he doesn’t... use the same kind of buzzwords. But when it comes to his fight against racism, going to jail in Chicago as a younger brother and he would go to jail again. He and I would go to jail together again in terms of fighting against police brutality. So in that sense, I would just tell my brothers and sisters, but especially my chocolate ones that they shouldn’t be blinded by certain kinds of words they’re looking for, that in the end, he is a long distance runner in the struggle against white supremacy.
Randolph Bourne … one of the towering public intellectual figures between 1907 and 1918 … wrote a famous essay called ‘The War and the Intellectuals’ … and he says, ‘Idealism should be kept for what is ideal.’ Think about that. Idealism should be kept for what is ideal!
It seems to me that what Randolph Bourne is getting at … is that idealism is not boosterism, just as critique is not castigation. But idealism is a bold and defiant highlighting of hypocrisy …. It is a self-critical and self-correcting procedure.
Hypocrisy can be found in high places of the powerful as well as in places of the powerless. … It cuts both ways. I think this is precisely what Malcolm X had in mind when he provided his technical definition of what a nigger was. Do you recall what he said? He said, ‘a nigger is a victim of American democracy.’ And note the oxymoronic character and self-contradictory character of this formulation.
How could there be a victim of American democracy? Because you point out the hypocrisy and how hypocrisy becomes institutionalized and legalized and you end up with a kind of herrenvolk democracy which, of course, in many ways was the case in the USA until the 1950s.
To be American is to be part of a dialogical and democratic operation that grapples with the challenge of being human in an open-ended and experimental manner. Although America is a romantic project in which a paradise, a land of dreams, is fanned and fueled with a religion of vast possibility, it is, more fundamentally, a fragile experiment-precious yet precarious-of dialogical and democratic human endeavor that yields forms of modern self-making and self-creating unprecedented in human history. From Thomas Jefferson to Elijah Muhammad, Geronimo to Dorothy Day, Jane Adams to Nathaniel West, it holds out the possibility of self-transformation and self-reliance to New World dwellers willing to start anew and recast themselves for the purpose of deliverance and betterment. This purpose requires only a restlessness, energy and boldness that galvanizes people to organize and mobilize themselves in a way that makes new opportunities and possibilities credible and worth the
… the major enemy of black survival in America has been and is neither oppression nor exploitation but rather the nihilistic threat — that is, loss of hope and absence of meaning. For as long as hope remains and meaning is preserved, the possibility of overcoming oppression stays alive. The self-fulfilling prophecy of the nihilistic threat is that without hope there can be no future, that without meaning there can be no struggle.