Czesław Miłosz Quotes

You see how I try
To reach with words
What matters most
And how I fail.

The creative act of the artist lifts him above himself by demanding full surrender. No one puts words on paper or paint on canvas, doubting. If one doubts, one does so five minutes later...

Consolation

Calm down. Both your sins and your good deeds will be lost in oblivion.

The War broke out, and our city and country became a part of Hitler's Imperium. For five and a half years we lived in a dimension completely different from that which any literature or experience could have led us to know. What we beheld surpassed the most daring and the most macabre imagination. Descriptions of horrors known to us of old now made us smile at their naivete. German rule in Eu­rope was ruthless, but nowhere so ruthless as in the East, for the East was populated by races which, according to the doctrines of National Socialism, were either to be utterly eradicated or else used for heavy physical labor. The events we were forced to partici­pate in resulted from the effort to put these doctrines into practice.
Still we lived; and since we were writers, we tried to write. True, from time to time one of us dropped out, shipped off to a concentration camp or shot. There was no help for this. We were like people marooned on a dissolving floe of ice; we dared not think of the moment when it would melt away.

I have heard that voice many a time when asleep and, what is strange, I understood more or less an order or an appeal in an unearthly tongue:

Had Beta been French, perhaps he would've been an existentialist, probably though that would not have satisfied him.
He smiled contemptuously at mental speculations, for he remembered seeing philosophers fighting over garbage in the concentration camps.
Human thought had no significance; subterfuge and self-deception were easy to decipher: all that really counted was the movement of matter.

How can I live in this country Where the foot knocks against The unburied bones of kin? I hear voices, see smiles. I cannot Write anything; five hands Seize my pen and order me to write The story of their lives and deaths. Was I born to become a ritual mourner? I want to sing of festivities, The greenwood into which Shakespeare Often took me. Leave To poets a moment of happiness, Otherwise your world will perish.

I swear, there is in me no wizardry of word. I speak to you with silence like a cloud or a tree.

The divinization of Man, when one abhors the order of the world as essentially evil, is a risky and self-contradictory venture.

In a room where
people unanimously maintain
a conspiracy of silence,
one word of truth
sounds like a pistol shot.

Yet falling in love is not the same as being able to love.

We go down with the bells ringing in all the sunken cities. Forgotten, we are greeted by the embassies of the dead, While your endless flowing carries us on and on; And neither is nor was. The moment only, eternal.

"A Song for the End of the World"

On the day the world ends
A bee circles a clover,
A fisherman mends a glimmering net.
Happy porpoises jump in the sea,
By the rainspout young sparrows are playing
And the snake is gold-skinned as it always should be.

On the day the world ends
Women walk through the fields under their umbrellas,
A drunkard grows sleepy at the edge of a lawn,
Vegetable peddlers shout in the street
And a yellow-sailed boat comes nearer the island,
The voice of a violin lasts in the air
And leads into a starry night.

And those who expected lightning and thunder
Are disappointed.
And those who expected signs and archangels’ trumps
Do not believe it is happening now.
As long as the sun and the moon are above,
As long as the bumblebee visits a rose,
As long as rosy infants are born
No one believes it is happening now.

Only a white-haired old man, who would be a prophet
Yet is not a prophet, for he’s much too busy,
Repeats while he binds his tomatoes:
There will be no other end of the world,
There will be no other end of the world.

Forget the suffering
You caused others.
Forget the suffering
Others caused you.
The waters run and run,
Springs sparkle and are done,
You walk the earth you are forgetting.

Sometimes you hear a distant refrain.
What does it mean, you ask, who is singing?
A childlike sun grows warm.
A grandson and a great-grandson are born.
You are led by the hand once again.

The names of the rivers remain with you.
How endless those rivers seem!
Your fields lie fallow,
The city towers are not as they were.
You stand at the threshold mute.

A weak human mercy walks in the corridors of hospitals and is like a half-thawed winter.