Czesław Miłosz Quotes

The history of my stupidity would fill many volumes.

عيناها تسحب الأشياء بشَـرقة السرعة، مخلّفةً وراءها فراغ شكلٍ مثالي .

In a room where
people unanimously maintain
a conspiracy of silence,
one word of truth
sounds like a pistol shot.

Hope is with you when you believe
The earth is not a dream but living flesh,
That sight, touch, and hearing do not lie,
That all things you have ever seen here
Are like a garden looked at from a gate.

You cannot enter. But you're sure it's there.
Could we but look more clearly and wisely
We might discover somewhere in the garden
A strange new flower and an unnamed star.

Some people say we should not trust our eyes,
That there is nothing, just a seeming,
These are the ones who have no hope.
They think that the moment we turn away,
The world, behind our backs, ceases to exist,
As if snatched up by the hands of thieves.

There was a time when only wise books were read helping us to bear our pain and misery. This, after all, is not quite the same as leafing through a thousand works fresh from psychiatric clinics. And yet the world is different from what it seems to be and we are other than how we see ourselves in our ravings.

Whoever saw, as many did, a whole city reduced to rubble — kilometers of streets on which there remained no trace of life, not even a cat, not even a homeless dog — emerged with a rather ironic attitude toward descriptions of the hell of the big city by contemporary poets, descriptions of the hell in their own souls. A real "wasteland" is much more terrible than any imaginary one. Whoever has not dwelt in the midst of horror and dread cannot know how strongly a witness and participant protests against himself, against his own neglect and egoism. Destruction and suffering are the school of social thought.

Language is the only homeland.

You who think of us: they lived only in delusion... Know that we the People of the Book, will never die!

Of all things broken and lost, porcelain troubles me most.

It's true that what is morbid is highly valued today, and so you may think that I am only joking or that I've devised just one more means of praising Art with the help of irony.

We are an echo that runs, skittering, through a train of rooms. – Czeslaw Milosz, from “The Wormwood Star.” The Separate Notebooks. (Ecco September 21, 1986) Originally published 1984.

It would be more decorous not to live. To live is not decorous, Says he who after many years Returned to the city of his youth. There was no one left Of those who once walked these streets And now they had nothing, except his eyes. Stumbling, he walked and looked, instead of them, On the light they had loved, on the lilacs again in bloom.

Not that I want to be a god or a hero. Just to change into a tree, grow for ages, not hurt anyone.

The bright side of the planet moves towards darkness and the cities are falling asleep, each in its hour, and for me, now as then, it is too much. There is too much world.

Someone will read as moral That the people of Rome or Warsaw Haggle, laugh, make love As they pass by martyrs' pyres. Someone else will read Of the passing of things human, Of the oblivion Born before the flames have died. But that day I thought only Of the loneliness of the dying, Of how, when Giordano Climbed to his burning There were no words In any human tongue To be left for mankind, Mankind who live on.