Cuban writer
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Exile was where I was able to complete the amended or mutilated spaces that I was still missing to understand Cuba’s history. My novels, riddled with ghosts, journeys in time, mythological reinterpretations, are how I try to give a coherent image so as to reconstruct that incomplete reality which I was shown.
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Man is a political animal in certain societies, but it is also an emotional and imaginative animal in any context. Its spirituality is a lot more powerful and omnipresent than politics. My characters might be influenced by political events, but politics isn’t what governs in their lives, but spirituality. A citizen in any Western country could describe themselves as a political animal”; but a druid priest, masai or pygmy in Africa, an indigenous person from the Caribbean in pre-historic times or even the Amazon today, doesn’t follow these parameters. According to these cultures, the spirit and emotions are a lot more important.
Cuba is a ghost that feeds my literature...The seedling of what I am today took root on that island. But, that Cuba no longer exists, except for in my memories and my generation’s collective imagination. This is why it is a mythical and real land at the same time, which continues to sustain my ideas and dreams.
I would like my readers to levitate when they read the novel. I believe that there is too much violence and coarseness in the world, not just in books, but on television as well. People become degraded when they overuse these things. As I writer, I feel it is my challenge to come up with a phrase that can convey all the anguish a human being feels and to express it in a poetic way. Literature becomes simplistic when two out of every three words are vulgarisms. It requires no effort on the part of the creator or the reader.