almost nothing important that ever happens to you happens because you engineer it. Destiny has no beeper; destiny always leans trenchcoated out of an alley with some sort of 'psst' that you usually can't even hear because you're in such a rush to or from something important you've tried to engineer.

In reality, genuine epiphanies are extremely rare. In contemporary adult life maturation & acquiescence to reality are gradual processes. Modern usage usually deploys epiphany as a metaphor. It is usually only in dramatic representations, religious iconography, and the 'magical thinking' of children that insight is compressed to a sudden blinding flash.

It took years after I’d graduated from Amherst to realize that people were actually far more complicated and interesting than books, that almost everyone else suffered the same secret fears and inadequacies as I, and that feeling alone and inferior was actually the great valent bond between us all. I wish I’d been smart enough to understand that when I was an adolescent.

It is difficult to describe how it feels to gaze at living human beings whom you’ve seen perform in hard-core porn. To shake the hand of a man whose precise erectile size, angle, and vasculature are known to you. That strange I-think-we’ve-met-before sensation one feels upon seeing any celebrity in the flesh is here both intensified and twisted. It feels intensely twisted to see reigning industry queen Jenna Jameson chilling out at the Vivid booth in Jordaches and a latex bustier and to know already that she has a tattoo of a sundered valentine with the tagline HEART BREAKER on her right buttock and a tiny hairless mole just left of her anus.

Look. Listen. Use ears I'd be proud to call our own. Listen to the silence behind the engines' noise. Jesus, Sweets, listen. Hear it? It's a love song.

For whom?

You are loved.

We are all dying to give our lives away to something, maybe. God or Satan, politics or grammar, topology or philately - the object seemed incidental to this will to give ourselves away, utterly. To games or needles, to some other person. Something pathetic about it. A flight-from in the form of a plunging-into. Flight from exactly what? These rooms, blandly filled with excrement and heat? To what purpose?

Suppose I were to give you a key ring [...] with a hundred keys, and I were to tell you that one of these keys will unlock it, this door we're imagining opening in onto all you want to be, as a player. How many of the keys would you be willing to try?'
[...]
'Well I'd try every darn one,' Rader tells Lyle.
[...]
'Then you are willing to make mistakes, you see. You are saying you will accept 99% error. The paralyzed perfectionist you say you are would stand there before that door. Jingling the keys. Afraid to try the first key.

... Like having to be able to say to yourself, ‘I am pretending to sit here reading Albert Camus’s The Fall for the Literature of Alienation midterm, but actually I’m really concentrating on listening to Steve try to impress this girl over the phone, and I am feeling embarrassment and contempt for him, and am thinking he’s a poser, and at the same time I am also uncomfortably aware of times that I’ve also tried to project the idea of myself as hip and cynical so as to impress someone, meaning that not only do I sort of dislike Steve, which in all honesty I do, but part of the reason I dislike him is that when I listen to him on the phone it makes me see similarities and realize things about myself that embarrass me, but I don’t know how to quit doing them — like, if I quit trying to seem nihilistic, even just to myself, then what would happen, what would I be like?

Todd, trust math. As in Matics, Math E. First-order predicate logic. Never fail you. Quantities and their relation. Rates of change. The vital statistics of God or equivalent. When all else fails. When the boulder's slid all the way back to the bottom. When the headless are blaming. When you do not know your way about. You can fall back and regroup around math. Whose truth is deductive truth. Independent of sense or emotionality. The syllogism. The identity. Modus Tollens. Transitivity. Heaven's theme song. The night light on life's dark wall, late at night. Heaven's recipe book. The hydrogen spiral. The methane, ammonia, H2O. Nucleic acids. A and G, T and C. The creeping inevibatility. Caius is mortal. Math is not mortal. What it is is: listen: it's true.

That as people age, accumulate more and more private experiences, their sense of history tightens, narrows, becomes more personal? So that to the extent that they remember events of social importance, they remember only for example 'where they were' when such-and-such occurred. Et cetera et cetera. Objective events and data become naturally more and more subjectively colored.

Hal Incandenza has an almost obsessive dislike for deLint, whom he tells Mario he sometimes cannot quite believe is even real, and tries to get to the side of, to see whether deLint has a true z coordinate or is just a cutout or projection.

How long has it been since you did Absolutely Nothing? I know exactly how long it's been for me. I know how long it's been since I had every need met choicelessly from someplace outside me, without my having to ask or even acknowledge that I needed. And that time I was floating, too, and the fluid was salty, and warm but not too-, and if I was conscious at all I'm sure I felt dreadless, and was having a really good time, and would have sent postcards to everyone wishing they were here.