Ambition is natural to the first steps of youth, who must experience its essential falsity to know the larger reality that stands behind it, but held on to too long, and especially in eldership, it always comes to lack surprise, turns the last years of the ambitious into a second childhood, and makes the once successful into an object of pity.
English poet (born 1955)
David Whyte (born 2 November 1955) is an Anglo-Irish poet.[1][2][3] He has said that all of his poetry and philosophy are based on "the conversational nature of reality".[4] His book The Heart Aroused: Poetry and the Preservation of the Soul in Corporate America (1994) topped the best-seller charts in the United States.
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"Any life, & any life's work, is a hidden journey, a secret code, deciphered in fits & starts. The details only given truth by the whole, & the whole dependent on the details."
"...having the powerful characteristics of captaincy or leadership of any form is almost always an outward sign of a person inhabiting their physical body & the deeper elements of their own nature."
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And after you were up, when the light had come and the moon had gone, you found the path again waiting through the open window, the faces at the table gazing with you, as you sat with your coffee, silently letting the sense of rest seat home, the body ready to walk, in rhythm and in rhyme, with the given, unspoken source.
One day I will
say
the gift I once had
has been taken,
the place I have
made for myself
belongs to another,
and the words I have sung
are being sung by the ones
I would want.
Then I will be ready
for that voice
and the still silence
in which it arrives.
And if my faith is good
then we’ll meet again
on the road
and we’ll be thirsty,
and stop
and laugh
and drink together again
from the deep well
of things as they are.
...
Ambition left to itself, like the identity of the average billionaire, always becomes tedious, its only object the creation of larger and larger empires of control; but a true vocation calls us out beyond ourselves, breaks our heart in the process and then humbles, simplifies and enlightens us about the hidden, core nature of the work that enticed us in the first place. We find that, all along, we had what we needed from the beginning and that in the end we have returned to its essence, an essence we could not understand until we had experienced the actual heartbreak of the journey.
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We each have a particular way of shaping ourselves in the world. To take on someone else’s conversational style and to keep repeating other people’s questions as if they were our own is to exhaust ourselves. It doesn’t matter if it is the thoughts of Socrates or Susan Sontag. Read and admire, but then go back to first principles and ask the question yourself, in your own way. Dare to disagree.
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But no matter the medicinal virtues of being a true friend or sustaining a long, close relationship with another, the ultimate touchstone of friendship is not improvement, neither of the other nor of the self: the ultimate touchstone is witness, the privilege of having been seen by someone and the equal privilege of being granted the sight of the essence of another, to have walked with them and to have believed in them, and sometimes just to have accompanied them for however brief a span, on a journey impossible to accomplish alone.
One of the most beautifully disturbing questions we can ask, is whether a given story we tell about our lives is actually true, and whether the opinions we go over every day have any foundation or are things we repeat to ourselves simply so that we will continue to play the game. It can be quite disorienting to find that a story we have relied on is not only not true - it actually never was true. Not now not ever. There is another form of obsolescence that can fray at the cocoon we have spun about ourselves, that is, the story was true at one time, and for an extended period; the story was even true and good to us, but now it is no longer true and no longer of any benefit, in fact our continued retelling of it simply imprisons us. We are used to the prison however, we have indeed fitted cushions and armchairs and made it comfortable and we have locked the door from the inside.
The imprisoning story I identified by the time the entree was served was one I had told myself for a long time. “In order to write I need peace and quiet and an undisturbed place far from others or the possibility of being disturbed. I knew however, that if I wanted to enter the next creative stage, something had to change; I simply did not have enough free space between traveling, speaking and being a good father and husband to write what I wanted to write. The key in the lock turned surprisingly easy, I simply said to myself, “What if I acted as if it wasn’t true any more, what if it had been true at one time, but now at this stage in the apprenticeship I didn’t need that kind of insulation anymore, what if I could write anywhere and at any time?” One of the interesting mercies of this kind of questioning is that it is hard to lose by asking: if the story is still true, we will soon find out and can go back to telling it. If it is not we have turned the key, worked the hinges and walked out into the clear air again with a simple swing of the door.