Realizing its inescapable nature, we can see heartbreak not as the end of the road or the cessation of hope but as the close embrace of the essence of what we have wanted or are about to lose.
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Heartbreak asks us not to look for an alternative path, because there is no alternative path. It is an introduction to what we love and have loved, an inescapable and often beautiful question, something and someone that has been with us all along, asking us to be ready for the ultimate letting go.
English poet (born 1955)
David Whyte (born 2 November 1955) is an Anglo-Irish poet.[1][2][3] He has said that all of his poetry and philosophy are based on "the conversational nature of reality".[4] His book The Heart Aroused: Poetry and the Preservation of the Soul in Corporate America (1994) topped the best-seller charts in the United States.
From: Wikiquote (CC BY-SA 4.0)
Life can find you only if you are paying real attention to something other than you own concerns, if you can hear and see the essence of otherness in the world, if you can treat the world as if it is not just a backdrop to your own journey, if you can have a relationship with the world that isn't based on triumphing over it or complaining about it.
We have patience for everything but what is most important to us. We look at the life of our own most central imaginings and see it beckon. For the most part, we have not the courage to follow it, but we do not have the courage to leave it. We turn our face for a moment and tell ourselves we will be sure to get back to it. When we look again, ten years have passed and we wonder what in God’s name happened to us.
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We each have a particular way of shaping ourselves in the world. To take on someone else’s conversational style and to keep repeating other people’s questions as if they were our own is to exhaust ourselves. It doesn’t matter if it is the thoughts of Socrates or Susan Sontag. Read and admire, but then go back to first principles and ask the question yourself, in your own way. Dare to disagree.
Cavanaugh says to be constantly describing yourself and to think you know who you are and to be constantly explaining to others is a gospel of despair. To be yourself and to put yourself in conversation with others and to overhear yourself saying things you didn’t know you knew, this is more like the truth, this is more like the poetic imagination … and the weakness of the prose, according to Cavanaugh, is the person who tries to get to a given goal in a staight line.
To forgive is to put oneself in a larger gravitational field of experience than the one that first seemed to hurt us. We reimagine ourselves in the light of our maturity and we reimagine the past in the light of our new identity; we allow ourselves to be gifted by a story larger than the story that first hurt us and left us bereft.
To want to run away is an essence of being human, it transforms any staying through the transfigurations of choice. To think about fleeing from circumstances, from a marriage, a relationship or from a work is part of the conversation itself and helps us understand the true distilled nature of our own reluctance. Strangely, we are perhaps most fully incarnated as humans, when part of us does not want to be here, or doesn’t know how to be here. Presence is only fully understood and realized through fully understanding our reluctance to show up. To understand the part of us that wants nothing to do with the full necessities of work, of relationship, of loss, of doing what is necessary, is to learn humility, to cultivate self-compassion and to sharpen that sense of humor essential to a merciful perspective of both a self and another.
Anger is the deepest form of compassion, for another, for the world, for the self, for a life, for the body, for a family and for all our ideals, all vulnerable and all, possibly about to be hurt. Stripped of physical imprisonment and violent reaction, anger is the purest form of care, the internal living flame of anger always illuminates what we belong to, what we wish to protect and what we are willing to hazard ourselves for.
Seeing from a high window the three years old boy caught by sunlight, peeing in the garden, I am suddenly aware why those small statues abound gracing our squares and piazzas! The form is eternal delight, and the source of that long golden arch of urine a blessing of curved tummy and bended knees. Hands clapped on bottom, eyes concentrated somewhere between source and target, amazed, enraptured, and miracle again, the golden line between subject and object made clear, whose author, transcending duality, looks out at a world intimately experiencing his arrival.
When your eyes are tired the world is tired also. When your vision has gone no part of the world can find you. Time to go into the dark where the night has eyes to recognize its own. There you can be sure you are not beyond love. The dark will be your womb tonight. The night will give you a horizon further than you can see. You must learn one thing. The world was made to be free in. Give up on all other worlds except the one to which you belong. Sometimes it takes darkness and the sweet confinement of your aloneness to learn anything or anyone that does not bring you alive is too small for you.
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