To forgive is to put oneself in a larger gravitational field of experience than the one that first seemed to hurt us. We reimagine ourselves in the light of our maturity and we reimagine the past in the light of our new identity; we allow ourselves to be gifted by a story larger than the story that first hurt us and left us bereft.

THE SEVEN STREAMS

Come down drenched, at the end of May,
with the cold rain so far into your bones
that nothing will warm you
except your own walking
and let the sun come out at the day's end
by Slievenaglasha with the rainbows doubling
over Mulloch Mor and see your clothes
steaming in the bright air. Be a provenance
of something gathered, a summation of
previous intuitions, let your vulnerabilities
walking on the cracked sliding limestone
be this time, not a weakness, but a faculty
for understanding what's about
to happen. Stand above the Seven Streams
letting the deep down current surface
around you, then branch and branch
as they do, back into the mountain
and as if you were able for that flow,
say the few necessary words
and walk on, broader and cleansed
for having imagined.

Cavanaugh says to be constantly describing yourself and to think you know who you are and to be constantly explaining to others is a gospel of despair. To be yourself and to put yourself in conversation with others and to overhear yourself saying things you didn’t know you knew, this is more like the truth, this is more like the poetic imagination … and the weakness of the prose, according to Cavanaugh, is the person who tries to get to a given goal in a staight line.

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How do you know that you are on your path – because it disappears. That’s how you know. How do you know that you are really doing something radical? Because you can’t see where you are going. That’s how you know. And everything you have lent on for your identity has gone. And so you are going to enter the black contemplative splendours of self-doubt, at the same time as you are setting out on this radical new path.

To consciously become close is a courageous form of unilateral disarmament, a chancing of our arm and our love, a willingness to hazard our affections and an unconscious declaration that we might be equal to the inevitable loss that the vulnerability of being close will bring.

All the evidence from the science of complexity says that given certain clear parameters...communities or teams will become self-organizing. They will be attracted to certain flowing states of organization natural to the people who make them up. In complexity theory, these flowing states are poetically called strange attractors. ...

A work team made up of collaborating individuals would...have, if you could measure and plot creativity, failure, and success, a strange attractor that depicted the edges and patterns of the team's behavior. This pattern would be constrained by the forces operating within the company and outside in the market, but it would be most affected by the focus and vision of the team. A strong vision and purpose acts as a kind of strange attractor, allowing individual creativity while acting as a natural constraint to behavior that is detrimental to the team. Without repressive rules, then, a cohesive team with a strong sense of its mission, ethics, and tasks can be allowed a lot of leeway to develop its own approach to problems.

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THE OPENING OF EYES

That day I saw beneath dark clouds
the passing light over the water
and I heard the voice of the world speak out,
I knew then, as I had before
life is no passing memory of what has been
nor the remaining pages in a great book
waiting to be read.
It is the opening of eyes long closed.
It is the vision of far off things
seen for the silence they hold.
It is the heart after years
of secret conversing
speaking out loud in the clear air.

It is Moses in the desert
fallen to his knees before the lit bush.
It is the man throwing away his shoes
as if to enter heaven
and finding himself astonished,
opened at last,
fallen in love with solid ground.

SELF PORTRAIT

It doesn't interest me if there is one God
or many gods.
I want to know if you belong or feel
abandoned.
If you know despair or can see it in others.
I want to know
if you are prepared to live in the world
with its harsh need
to change you. If you can look back
with firm eyes
saying this is where I stand. I want to know
if you know
how to melt into that fierce heat of living
falling toward
the center of your longing. I want to know
if you are willing
to live, day by day, with the consequence of love
and the bitter
unwanted passion of your sure defeat.

I have heard, in that fierce embrace, even
the gods speak of God.