Top 15 Dmitri Shostakovich Quotes

What you have in your head, put down on paper. The head is a fragile vessel.

I write music, it's performed. It can be heard, and whoever wants to hear it will. After all, my music says it all. It doesn't need historical and hysterical commentaries. In the long run, any words about music are less important than the music.

I think it is clear to everyone what happens in the Fifth. The rejoicing is forced, created under threat, as in Boris Godunov. It's as if someone were beating you with a stick and saying, "Your business is rejoicing, your business is rejoicing," and you rise, shaky, and go marching off, muttering, "Our business is rejoicing, our business is rejoicing."

When a man is in despair, it means that he still believes in something.

People knew about Babi Yar before Yevtushenko's poem, but they were silent. And when they read the poem, the silence was broken. Art destroys silence.

Jewish folk music has made a most powerful impression on me. I never tire of delighting in it, it's multifaceted, it can appear to be happy while it is tragic. It's almost always laughter through tears. This quality of Jewish folk music is close to my ideas of what music should be. There should always be two layers in music. Jews were tormented for so long that they learned to hide their despair. They express despair in dance music.

The majority of my symphonies are tombstones.

I feel eternal pain for those who were killed by Hitler, but I feel no less pain for those killed on Stalin's orders. I suffer for everyone who was tortured, shot, or starved to death.

The Allies enjoyed my music, as though trying to say: Look how we like Shostakovich's symphonies, and you still want something more from us, a second front or something.

For some reason, people think that music must tell us only about the pinnacles of the human spirit, or at least about highly romantic villains. Most people are average, neither black nor white. They're gray. A dirty shade of gray. And it's in that vague gray middle ground that the fundamental conflicts of our age take place.

The withering away of illusions is a long and dreary process, like a toothache. But you can pull out a tooth. Illusions, dead, continue to rot within us. And stink. And you can't escape them. I carry all of mine around with me.

It's about the people, who have stopped believing because the cup of evil has run over.

The most uninteresting part of the biography of a composer is his childhood. All those preludes are the same and the reader hurries on to the fugue.

What do you think of Puccini?
[ Britten: "I think his operas are dreadful." ]
No, Ben, you are wrong. He wrote marvellous operas, but dreadful music.

You ask if I would have been different without "Party guidance"? Yes, almost certainly. No doubt the line I was pursuing when I wrote the Fourth Symphony would have been stronger and sharper in my work. I would have displayed more brilliance, used more sarcasm, I could have revealed my ideas openly instead of having to resort to camouflage.