Palestinian-American professor (1935–2003)
I’ve always been interested in what gets left out. That’s why I’m interested in the figure from the “Ode on a Grecian Urn,” the “silent form” that “dost tease us out of thought.” That’s why I’m interested in Raymond Williams’s discussion of the country house poems, where the representation of the country house necessarily excludes the silence of the peasants who have been driven off the land; or the fields that have been manicured to produce the beautiful spaces that Jane Austen exploits in her novels, where livelihood is transformed into property. I’m interested in the tension between what is represented and what isn’t represented, between the articulate and the silent. For me, it has a very particular background in the questioning of the document. What does the document include? What doesn’t it include? That’s why I have been very interested in attempts of the Subaltern Studies Collective, and others, to talk about excluded voices.
I retain my faith in the humanist tradition, that it’s possible to deal with discrepant experiences truthfully without resolving into simple things like only women should write about women, only Chicanos should write about Chicanos, only Latinos should write about Latinos… I think that’s the most damaging crime, and misapprehension of what I’m saying. That’s why they debate all these things and they trace them back to me and people say ‘you did that!’ Absolutely not. I’m talking from a universalistic, if you like cosmopolitan point of view to which I adhere and which is the only way the world makes sense to me. I don’t believe in the politics of identity, although in many ways paradoxically I seem to be the father of identity politics, but it’s a thing I totally disbelieve in because I realise the damage that identities have done.
The central fact for me is, I think, that the [role of the] intellectual ... cannot be played without a sense of being someone whose place it is publicly to raise embarrassing questions, to confront orthodoxy and dogma (rather than to produce them), to be someone who cannot easily be co-opted by governments or corporations, and whose raison d'être is to represent all those people and issues that are routinely forgotten or swept under the rug.
[An elaborated culture has a] density, complexity, and historical-semantic value that is so strong as to make politics possible... Gramsci's insight is to have recognised that subordination, fracturing, diffusion, reproducing, as much as producing, creating, forcing, guiding, are necessary aspects of elaboration.
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