American writer
Ellen Willis (December 14 1941 – November 9 2006) was an American essayist and critic. She was director of the cultural journalism program at New York University and co-founder of the feminist group Redstockings. She played an important role in the development of sex-positive feminism.
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Alternative Names:
Ellen Jane Willis
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Under present conditions, people are preoccupied with consumer goods not because they are brainwashed but because buying is the one pleasurable activity not only permitted but actively encouraged by our rulers. The pleasure of eating an ice cream cone may be minor compared to the pleasure of meaningful, autonomous work, but the former is easily available and the latter is not. A poor family would undoubtedly rather have a decent apartment than a new TV, but since they are unlikely to get the apartment, what is to be gained by not getting the TV?
There is a persistent myth that a wife has control over her husband’s money because she gets to spend it. Actually, she does not have much more financial authority than the employee of a corporation who is delegated to buy office furniture or supplies. The husband, especially if he is rich, may allow his wife wide latitude in spending — he may reason that since she has to work in the home she is entitled to furnish it to her taste, or he may simply not want to bother with domestic details — but he retains the ultimate veto power. If he doesn’t like the way his wife handles his money, she will hear about it.
The notion that there might be any need for, or possibility of, profound changes in the institutions that shape American life work, family, technology, the primacy of the car and the single-family house — is foreign to the mainstream media that define our common sense. And so conflicts that cannot be addressed politically have expressed themselves by other means. From public psychodramas like the O. J. Simpson trial, the Lewinsky scandal and Columbine to disaster movies, talk shows and "reality TV," popular culture carries the burden of our emotions about race, feminism, sexual morality, youth culture, wealth, competition, exclusion, a physical and social environment that feels out of control.
These apparently opposed perspectives meet on the common ground of sexual conservatism. The monogamists uphold the traditional wife's "official" values: emotional commitment is inseparable from a legal/moral obligation to permanence and fidelity; men are always trying to escape these duties; it's in our interest to make them shape up. The separatists tap into the underside of traditional femininity — the bitter, self-righteous fury that propels the indictment of men as lustful beasts ravaging their chaste victims. These are the two faces of feminine ideology in a patriarchal culture: they induce women to accept a spurious moral superiority as a substitute for sexual pleasure, and curbs on men's sexual freedom as a substitute for real power.
The perceived conflict between class and cultural politics arises not because they are intrinsically incompatible but because majoritarian leftists have uncritically equated the cultural values of workers and "ordinary people" with their historically dominant voices: white, straight, male, and morally conservative.
Though self-definition is the necessary starting point for any liberation movement, it can take us only so far. The most obvious drawback of identity politics is its logic of fragmentation into ever smaller and more particularist groups: the fracturing of the radical feminist movement along class and gay-straight lines (the racial divide having kept most black women out of the movement to begin with) is the sobering paradigm. What's at stake here, however, is not only the pragmatic question (crucial as it is) of how to avoid being divided and conquered, but our understanding of what it means to be a principled radical...Almost from the beginning, second wave feminism was a study in the limits of the identity politics it did so much to promote.
the cultural right has redefined the American project as closing the frontier. Frustrated that their political power has not translated into cultural hegemony, conservatives are methodically attacking cultural institutions-particularly the universities and the arts--Ostensibly for being subverted by radicals, but actually for their persistent liberalism, especially that mushy pluralistic habit of allowing cultural dissidents on the premises. The right, very simply, wants us out of America's public life: the First Amendment may protect our right to rant, but only if we can do it without money and without space.
The project of organizing a democratic political movement entails the hope that one's ideas and beliefs are not merely idiosyncratic but speak to vital human needs, interests and desires, and therefore will be persuasive to many and ultimately most people. But this is a very different matter from deciding to put forward only those ideas presumed (accurately or not) to be compatible with what most people already believe.
Can the high level of violence in patriarchal cultures be attributed to people's chronic, if largely unconscious, rage over the denial of their freedom and pleasure? To what extent is sanctioned or officially condoned violence — from war and capital punishment to lynching, wife-beating and the rape of "bad" women to harsh penalties for "immoral" activities like drug-taking and nonmarital sex to the religious and ideological persecution of totalitarian states — in effect a socially approved outlet for expressing that rage, as well as a way of relieving guilt by projecting one's own unacceptable desires onto scapegoats?