I gave someone a perverse argument not so long ago about why advertising is better than movies. You want to hear it? Movies operate from a really disingenuous premise, that people are heroes. I know a lot of people and have had an opportunity over the years to observe them. Are they heroes...? Let's put it this way. Advertising tries something simpler and more believable: Products as heroes. I guess the idea is: When all else fails, put your faith in conditioner.

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There's the Mike Wallace approach, or you can call it the Michael Moore approach, which is the adversarial approach. In the end, that is not in the service of finding out anything. It's in service of dramatizing a received view: Namely, "This guy is an asshole, and now I will illustrate how this guy is an asshole by showing his inability to answer the questions I put to him." It's not what I'm about. It's not that one approach is good and the other is bad. They just have different valences. I like confrontation as much as the next guy. I'll give you the best example I can think of for why I like my method. [During] my interview with Emily Miller, one of the wacko eyewitnesses in The Thin Blue Line, she volunteered that she had failed to pick out Randall Adams in a police lineup. It wasn't me saying to her, "Emily Miller, how come you failed to pick out Randall Adams in a police lineup?" Why? Because I didn't know she failed to do it, because part of the trial record said she had successfully picked him out. When I heard this, not in response to some adversarial question, just her telling me her story, I asked her, "How did you know you failed to pick out Randall Adams?" She said, "I know because the policeman sitting next to me told me I had picked out the wrong person and pointed out the right person so I wouldn't make that mistake again."

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I believe that we face incredible obstacles in our attempts to see the world. Everything in our nature tries to deny the world around us; to refabricate it in our own image; to reinvent it for our own benefit. And so, it becomes something of a challenge, a task, to recover (or at least attempt to recover) the real world despite all the impediments to that end.

War is such a peculiar thing — inaugurated by the whims of few, affecting the fate of many. It is a difficult, if not impossible, thing to understand, yet we feel compelled to describe it as though it has meaning — even virtue. It starts for reasons often hopelessly obscure, meanders on, then stops

One of the incredibly deep ironies is that the [Abu Ghraib] photographs could serve as both an exposé and as a cover-up. That they would encourage people not to look any further and make them think they had seen everything.

Listening to what people were saying wasn't even important. But it was important to look as if you were listening to what people were saying. Actually, listening to what people are saying, to me, interferes with looking as if you were listening to what people are saying.

Santayana said, "Those who cannot remember the past are condemned to repeat it." Really? Human nature being what it is, isn't it hopeless to expect that we can do better regardless of whether we remember anything or not? And what if what we remember leads us to false analogies and misunderstandings? I prefer: "Those who cannot remember the past are condemned to repeat it without a sense of ironic futility." Or how about this: "Those who cannot condemn the past repeat it in order to remember it."