Everything you tell me in your last letter, which is to say that to spend more time with me they will give up going to Paris, fills me with the greatest pleasure.. .I find myself much better, and I hope to be back where I was before.. .I am happy to be better to receive my most beloved travelers. This improvement I owe to Molina.
Spanish painter and printmaker (1746–1828)
Francisco Goya (30 March 1746 – 16 April 1828) was a Spanish painter and printmaker. He was a court painter to the Spanish Crown and a chronicler of history. His letters to Martín Zapater y Clavería , (1746-1803) a prosperous merchant and Goya's closest friend - spanning some 30 years, are an important private source for Goya's quotes; these letters show him at his most intimate and uninhibited.
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His Excellency Don José Palafox [famous Spanish general, who recaptured Zaragoza from the French army) called me to go to Zaragoza this week in order to see and examine the ruins of that city, with the intention that I should paint the glories of its inhabitants, something from which I cannot be excused because the glory of my native land [Goya was born in Zaragoza] interests me so much.
Always lines, never forms. Where do they find these lines in Nature? Personally I see only forms that are lit up and forms that are not, planes that advance and planes that recede, relief and depth. My eye never sees outlines or particular features or details... ...My brush should not see better than I do. [Goya, in a recall of an overheard conversation]
Your Excellency, I am in receipt of His Majesty's royal order, which your excellency communicated to me on the 6th inst., accepting the offer of my work, the 'Caprichos' on eighty copper plate engraved with aqua-fortis by my hand, which I will hand to the Royal Calografia with the lot of prints which I had printed by way of precaution, amounting to two hundred and forty copies of eighty prints, in order not to defraud His Majesty in the least, and for my own satisfaction as to my mode of procedure. I am very grateful for the pension of twelve thousand reals which His Majesty has been pleased to grant to my son [Xavier Goya], for which I offer my best thanks to His Majesty, and to your excellency.. ..I only desire your excellency's orders, and that you may keep well. May God preserve your excellency's valuable life for many years.. .Your excellency's obedient and grateful servant, Franco de Goya.
I can hardly describe the discord produced by the comparison of the retouched part of the painting and the part left untouched, the former having lost entirely the immediacy and brio of the brushwork and the latter the mastery of sensitive and discerning touches.. .For it is true that the more one retouches under the pretext of restoration, the more harm one does, and even the artists themselves, were they able to return, would not able to retouch their painting perfectly on account of the necessary change in the hue of pigments over time... No painting by Titian should be relined, nor any paintings by a number of other painters.. ..and, even when it is possible, the operation is more likely to result in deterioration than in improvement of the painting.
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The author had not followed the precedents of any other artist, nor has he been able to copy Nature itself.. ..He who departs from Nature will surely merits high esteem, since he has to put before thee yes of the public forms and poses which have existed previously in the darkness and confusion of an irrational mind..