The machine invades the landscape with destruction and transformation; it grows factories and whole manufacturing cities overnight, cities grotesquely hideous, where human misery is glaringly revealed; cities which, like Manchester, represent an entire stage of technology and which have become synonymous with hopeless dreariness. Technology darkens the air with smoke, poisons the water, destroys the plants and animals. It brings about a state in which nature has to be "preserved" from rationalized thinking, in which large tracts of land have to be set apart, fenced off, and placed under a taboo, like museum pieces. What all museum-like institutions make evident is that preservation is needed. The extension of protected areas, therefore, is an indication that destructive processes are at work.
German writer (1898–1977)
Friedrich Georg Jünger (1 September 1898 – 20 July 1977) was a German writer and lawyer. He wrote poetry, cultural criticism and novels. He was the younger brother of Ernst Jünger. TOC
From: Wikiquote (CC BY-SA 4.0)
What is euphemistically called production is really consumption. The gigantic technical apparatus, that masterpiece of human ingenuity, could not reach perfection if technological thought were to be contained within an economic scheme, if the destructive power of technical progress were to be arrested. But this progress becomes all the more impetuous, the larger the resources at its disposal, and the more energetically it devours them. This is shown by the concentration of men and machines in the great mining centers where the mechanization of work and the organization of man are most advanced. The rationality of technology, so impressively displayed here, becomes intelligible only when one has understood the conditions on which it depends. Its concomitant is waste and contempt for all rationality in the exploitation of the resources on whose existence technology depends, as the lungs depend on air.
In every healthy economy the substance with which it works is preserved and used sparingly, so that consumption and destruction do not overstep the limit beyond which the substance itself would be endangered or destroyed. Since technology presupposes destruction, since its development depends upon destruction, it cannot be fitted into any healthy economic system; one cannot look at it from an economic point of view. The radical consumption of oil, coal, and ore cannot be called economy, however rational the methods of drilling and mining. Underlying strict rationality of technical working methods, we find a way of thinking which cares nothing for the preservation and saving of the substance.
And the rational mind which stands behind the machine and keeps watch over its automatic, mechanical motion–it too is hungry, and hunger follows it everywhere. It cannot shake off hunger; it cannot free itself from it; it cannot be stilled, however hard it may try. And how, indeed, could that be possible! This mind itself is consuming, gluttonous, and it has no access to riches; it cannot conjure up abundance. No effort of ingenuity, not all the inventive power that is brought to bear here can do it. For rationalization only sharpens hunger and actually increases consumption. This growing consumption is a sign not of abundance but of poverty; it is bound up with worry, want, and toil.
The impression we gain as we observe technical processes of any sort is not at all one of abundance. The sight of abundance and plenty give us joy: they are the signs of a fruitfulness which we revere as a life-giving force. Rooting, sprouting, budding, blooming, ripening, and fruition–the exuberance of the motions and forms of life–strengthen and refresh us. The human body and the human mind possess this power of bestowing strength. Both man and woman have it. But the machine organization gives nothing–it organizes need. The prospect of vineyard, orchard, or a blossoming landscape cheers us, not because these things yield profits, but because of the sensation of fertility, abundance, and gratuitous riches. The industrial scene, however, has lost its fruitfulness; it has become the scene of mechanical production. It conveys, above all, a sense of hungriness, particularly in the industrial cities which, in the metaphorical language of technological progress, are the homes of a flourishing industry. The machine gives a hungry impression. And this sensation of a growing, gnawing hunger, a hunger that becomes unbearable, emanates from everything in our entire technical arsenal.
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Leisure and free activity are not accessible to everybody, and they are conditions in no way connected with the machine. A man who is relieved of work is not thereby capable of leisure; a man who gains time does not thereby gain the capacity to spend this time in free activity, for leisure is not a mere doing-nothing, a state that can be defined negatively. Leisure, to be fruitful, presupposes a spiritual and mental life from which it draws its meaning and its worth. An otium sine dignitate ("leisure without dignity") is hollow, empty loafing.
The tale becomes utopian only when the writer leaves the sphere of technical organization – when, for instance, he tries to make us believe that these cities are inhabited by better and more perfect human beings; that envy, murder, and adultery are unknown; that neither law nor a police force is needed. For in so doing he steps outside the technical scheme within which he is spinning his fantasies, and combines it in a utopian manner with something different and alien which can never be developed out of the scheme itself.