French writer and philosopher (1884-1962)
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But shall I have the strength to write this book? For there is a great distance between the words we speak uninhibitedly to a friendly audience and the discipline needed to write a book. When we are lecturing, we become animated by the joy of teaching and, at times, our words think for us. But to write a book requires really serious reflection.
Of course, thanks to the house, a great many of our memories are housed, and if the house is a bit elaborate, if it has a cellar and a garret, nooks and corridors, our memories have refuges that are all the more clearly delineated. All our lives we come back to them in our daydreams. A psychoanalyst should, therefore, turn his attention to this simple localization of our memories. I should like to give the name of topoanalysis to this auxiliary of pyschoanalysis. Topoanalysis, then would be the systematic psychological study of the sites of our intimate lives.
"In my Paris apartment, when a neighbor drives nails into the wall at an undue hour, I "naturalize" the noise by imagining that I am in my house in Dijon, where I have a garden. And finding everything I hear quite natural, I say to myself: "That's my woodpecker at work in the acacia tree." This is my method for obtaining calm when things disturb me."
In the theater of the past that is constituted by memory, the stage setting maintains the characters in their dominant roles . . . . And if we want to go beyond history, or even, while remaining in history, detach from our own history the always too contingent history of the persons who have encumbered it, we realize that the calendars of our lives can only be established in its imagery.
"What a concentration of images in Pasternak's swallow's nest! And, in reality, why should we stop building and molding the world's clay about our own shelters? Mankind's nest, like his world, is never finished. And imagination helps us to continue it. A poet cannot leave such a great image as this, nor, to be more exact, can such an image leave its poet. Boris Pasternak also wrote "Man himself is mute, and it is the image that speaks. For it is obvious that the image alone can keep pace with nature.
"Reveries of idealization develop, not by letting oneself be taken in by memories, but by constantly dreaming the values of a being whom one would love. And that is the way a great dreamer dreams his double. His magnified double sustains him." - Gaston Bachelard, "Reveries on Reverie (Anima - Animus)", The Poetics of Reverie: Childhood, Language, and the Cosmos, Page 88
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