As cedars beaten with continual storms,
So great men flourish; and do imitate
Unskilful statuaries, who suppose,
In forging a Colossus, if they make him
Straddle enough, strut, and look big, and gape,
Their work is goodly: so men merely great
In their affected gravity of voice,
Sourness of countenance, manners' cruelty,
Authority, wealth, and all the spawn of fortune,
Think they bear all the kingdom's worth before them,
Yet differ not from those colossic statues,
Which, with heroic forms without o'erspread,
Within are naught but mortar, flint and lead.

Achilles' baneful wrath resound, O Goddess, that imposed
Infinite sorrows on the Greeks, and many brave souls loosed
From breasts heroic, sent them far to that invisible cave
That no light comforts, and their limbs to dogs and vultures gave;
To all which Jove's will gave effect; from whom first strife begun
Betwixt Atrides, king of men, and Thetis' godlike son.

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And for the authentical truth of either person or actions, who (worth the respecting) will expect it in a poem, whose subject is not truth, but things like truth? Poor envious souls they are that cavil at truth's want in these natural fictions; material instruction, elegant and sententious excitation to virtue, and deflection from her contrary, being the soul, limbs, and limits of an authentical tragedy.

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Music, and mood, she loves, but love she hates
(As curious ladies do, their public cates),
This train, with meteors, comets, lightenings,
The dreadful presence of our empress sings:
Which grant for ever (O eternal Night)
Till virtue flourish in the light of light.