Like a good and happy man increasing his virtue, he kissed her. She did not move away from him. She remained in the embrace of his right arm, her face nuzzling his shoulder, her eyes closed. He tipped her chin to look and measure opportunity. She could not open her eyes. Honorably he searched, but on her face he met no quarrel.

I was happy, but I am now in possession of knowledge that this is wrong. Happiness isn't so bad for a woman. She gets fatter, she gets older, she could lie down, nuzzling a regiment of men and little kids, she could just die of the pleasure. But men are different, they have to own money, or they have to be famous, or everybody on the block has too look up to them from the cellar stairs.

People say the Vietnamese won the war. They did not win the war, the U.S. won the war, just by leaving and starving them to death. You don’t say somebody won the war in a medieval town which is under constant siege. Until the U.S. is certain that the Vietnamese lost the war, until they’re absolutely certain that their condition is totally hopeless, we’re not gonna help them. (2000)

A first assignment: to be repeated whenever necessary, by me or the class. Write a story, a first-person narrative in the voice of someone with whom you're in conflict. Someone who disturbs you, worries you, someone you don't understand. Use a situation you don't understand.

Writing poetry, which for me was then saying how I felt about this and that, didn't help me to understand the world I lived in. I developed a definition-which I think becomes less and less accurate as poetry moves into the world-that poetry was a way of speaking to the world, but fiction was a way to get the world to speak to me. (1978 interview)

if you don’t think history, you’re not thinking. You’re just not thinking if you cannot see a generation back. And if you do not think about the circumstances in their lives, then you don’t know what you’re thinking about. There’s no truth in the present moment. Now simply doesn’t exist without then at all.

(Are there any men you think write particularly well about women?) I liked Norman Rush’s last book, Mating. The main character is a very smart woman, very intellectual, very interesting, and very unlike many of the women many women write about.

it was kind of exhausting running after two babies. Still, looking back I see the pleasure of it. That’s when I began to know women very well—as co-workers, really...If I hadn’t spent that time in the playground, I wouldn’t have written a lot of those stories.