Hector Berlioz Quotes

One evening we were exploring the Baths of Caracalla together, while debating the question of merit or demerit in human behaviour and its rewards in life. As I was propounding some outrageous thesis or another in answer to the strictly orthodox and pious views put forward by him, his foot slipped and the next moment he was lying in a bruised condition at the bottom of a steep ruined staircase.

'Look at that for divine justice,' I said, helping him onto his feet. 'I blaspheme, you fall.'

This irreverence, accompanied by roars of laughter, apparently went to far, and thenceforth all religious arguments were banned.

Un chanteur ou une cantatrice capable de chanter seize mesures seulement de bonne musique avec une voix naturelle, bien posée, sympathique, et de les chanter sans efforts, sans écarteler la phrase, sans exagérer jusqu'à la charge les accents, sans platitude, sans afféterie, sans mièvreries, sans fautes de français, sans liaisons dangereuses, sans hiatus, sans insolentes modifications du texte, sans transposition, sans hoquets, sans aboiements, sans chevrotements, sans intonations fausses, sans faire boiter le rhythme, sans ridicules ornements, sans nauséabondes appogiatures, de manière enfin que la période écrite par le compositeur devienne compréhensible, et reste tout simplement ce qu'il l'a faite, est un oiseau rare, très-rare, excessivement rare.

"Time is a great teacher, but unfortunately it kills all its students."

[Letter, November 1856]

Il faut collectionner les pierres qu'on vous jette. C'est le début d'un piédestal.

C'est la vraie voix féminine de l'orchestre, voix passionnée et chaste en même temps, déchirante et douce, qui pleure et crie et se lamente, ou chante et prie et rêve, ou éclate en accents joyeux, comme nulle autre pourrait le faire.

Je ne puis m'empêcher de rendre grâces au hasard qui m'a mis dans la nécessité de parvenir à composer silencieusement et librement, en me garantissant ainsi de la tyrannie des habitudes des doigts, si dangereuses pour la pensée.

The author of The Prophet not only has the good luck to have talent, he has also the talent to have good luck.

That is, in fact, the true female voice of the orchestra – a voice at once passionate and chaste, heart-rending, yet soft, which can weep, sigh, and lament, chant, pray, and muse, or burst forth into joyous accents, as none other can do.

The luck of having talent is not enough; one must also have a talent for luck.

Instrumentation is to music precisely what color is to painting.

Poor devils! Where do these unfortunate creatures come from? On what butcher's block will they meet their end? What reward does municipal munificence allot them for thus cleaning (or dirtying) the pavements of Paris? At what age are they sent to the glue factory? What becomes of their bones (their skin is good for nothing)?

Se dice que el tiempo es un gran maestro; lo malo es que va matando a sus discípulos.

Passionate subjects must be dealt with in cold blood.

The Prince stood beside the timpanist to count his rests for him and see that he came in in the right place. I suppressed all the trumpet passages which were clearly beyond the players' grasp. The solitary trombone was left to his own devices; but as he wisely confined himself to the notes with which he was thoroughly familiar, such as A flat, D and F, and was careful to avoid all others, his success in the role was almost entirely a silent one.

Shakespeare, en tombant ainsi sur moi à l'improviste, me foudroya. Son éclair, en m'ouvrant le ciel de l'art avec un fracas sublime, m'en illumina les plus lointaines profondeurs. Je reconnus la vraie grandeur, la vraie beauté, la vraie vérité dramatiques.