En ce sens, on pourrait dire que la nature obtient souvent elle-même des succès de caricaturiste. Dans le mouvement par lequel elle a fendu cette bouche, rétréci ce menton, gonflé cette joue, il semble qu'elle ait réussi à aller jusqu'au bout de sa grimace, trompant la surveillance modératrice d'une force plus raisonnable. Nous rions alors d'un visage qui est à lui-même pour ainsi dire, sa propre caricature.
French philosopher (1859–1941)
Henri-Louis Bergson (18 October 1859 – 4 January 1941) was a major French philosopher, influential in the first half of the 20th century. He was awarded the 1927 Nobel Prize in Literature.
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As we have said, when one wishes to prepare a glass of sugared water one is obliged to wait until the sugar melts. This necessity for waiting is the significant fact. It shows that if one can cut out from the universe the systems for which time is only an abstraction, a relation, a number, the universe itself becomes something different. If we could grasp it in its entirety, inorganic but interwoven with organic beings, we should see it ceaselessly taking on forms as new, as original, as unforeseeable as our states of consciousness.
Underlying the doctrines which disregard the radical novelty of each moment of evolution there are many misunderstandings, many errors. But there is especially the idea that the possible is less than the real, and that, for this reason, the possibility of things precedes their existence. They would thus be capable of representation beforehand; they could be thought of before being realised. But it is the reverse that is true. If we leave aside the closed systems, subjected to purely mathematical laws, isolable because duration does not act upon them, if we consider the totality of concrete reality or simply the world of life, and still more that of consciousness, we find there is more and not less in the possibility of each of the successive states than in their reality. For the possible is only the real with the addition of an act of mind which throws its image back into the past, once it has been enacted. But that is what our intellectual habits prevent us from seeing.
Si régulière que soit une physionomie, si harmonieuse qu'on en suppose les lignes, si souples les mouvements, jamais l'équilibre n'en est absolument parfait. On y démêlera toujours l'indication d'une grimace possible, enfin une déformation préférée où se contourneraient plutôt la nature. L'art du caricaturiste est de saisir ce mouvement parfois imperceptible, et de le rendre visible à tous les yeux en l'agrandissant. Il fait grimacer ses modèles comme ils grimaceraient eux-mêmes s'ils allaient jusqu'au bout de leur grimace. Il devine, sous les harmonies superficielles de la forme, les révoltes profondes de la matière. Il réalise des disproportions et des déformations qui ont dû exister dans la nature à l'état de velléité, mais qui n'ont pu aboutir, refoulées par une force meilleure.
In a society composed of pure intelligences there would probably be no more tears, though perhaps there would still be laughter; whereas highly emotional souls, in tune and unison with life, in whom every event would be sentimentally prolonged and re-echoed, would neither know nor understand laughter. Try,
Listen to the discussion between any two philosophers one of whom upholds determinism, and the other liberty: it is always the determinist who seems to be in the right. He may be a beginner and his adversary a seasoned philosopher. He can plead his cause nonchalantly, while the other sweats blood for his. It will always be said of him that he is simple, clear and right. He is easily and naturally so, having only to collect thought ready to hand and phrases ready-made: science, language, common sense, the whole of intelligence is at his disposal. Criticism of an intuitive philosophy is so easy and so certain to be well received that it will always tempt the beginner. Regret may come later, — unless, of course, there is a native lack of comprehension and, out of spite, personal resentment toward everything that is not reducible to the letter, toward all that is properly spirit. That can happen, for philosophy too has its Scribes and its Pharisees.
I say that there are pseudo-problems, and that they are the agonizing problems of metaphysics. I reduce them to two. One gave rise to theories of being, the other to theories of knowledge. The first false problem consists in asking oneself why there is being, why something or someone exists. The nature of what is is of little importance; say that it is matter, or mind, or both, or that matter and mind are not self-sufficient and manifest a transcendant Cause: in any case, when existences and causes are brought into consideration and the causes of these causes, one feels as if pressed into a race — if one calls a halt, it is to avoid dizziness. But just the same one sees, or thinks one sees, that the difficulty still exists, that the problem is still there and will never be solved. It will never, in fact, be solved, but it should never have been raised. It arises only if one posits a nothingness which supposedly precedes being. One says: “There could be nothing,” and then is astonished that there should be something — or someone. But analyze that sentence: “There could be nothing.” You will see you are dealing with words, not at all with ideas, and that “nothing” here has no meaning. “Nothing” is a term in ordinary language which can only have meaning in the sphere, proper to man, of action and fabrication. “Nothing” designates the absence of what we are seeking, we desire, expect. Let us suppose that absolute emptiness was known to our experience: it would be limited, have contours, and would therefore be something. But in reality there is no vacuum.
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"Certo filósofo contemporâneo, emérito argumentador, a quem se observou que os seus raciocínios irrepreensivelmente deduzidos eram contrariados pela experiência, encerrou a discussão com esta singela observação: "A experiência está errada." A idéia de regulamentar administrativamente a vida é mais difundida do que se pensa; é natural a seu modo, embora acabemos de obtê-la mediante um processo de recomposição. Poderíamos dizer que ela nos oferece a própria quintessência do pedantismo, o qual não passa, no fundo, da arte pretendendo superpor-se à natureza."
"O cômico é inconsciente. Como se utilizasse ao inverso o anel de Giges, ele se torna invisível a si mesmo ao tornar-se visível a todos. (...) Se Harpagon nos visse rir de sua avareza, não digo que se corrigisse, mas no-la exibiria menos, ou então no-la mostraria de outro modo. Podemos concluir desde já que nesse sentido sobretudo é que o riso "castiga os costumes". Obriga-nos a cuidar imediatamente de parecer o que deveríamos ser, o que um dia acabaremos por ser verdadeiramente."
A philosopher worthy of the name has never said more than a single thing: and even then it is something he has tried to say, rather than actually said. And he has said only one thing because he has seen only one point: and at that it was not so much a vision as a contact: this contact has furnished an impulse, this impulse a movement, and if this movement, which is as it were a kind of swirling of dust taking a particular form, becomes visible to our eyes only through what it has collected along its way, it is no less true that other bits of dust might as well have been raised and that it would still have been the same whirlwind. Thus a thought which brings something new into the world is of course obliged to manifest itself through the ready-made ideas it comes across and draws into its movement; it seems thus, as it were, relative to the epoch in which the philosopher lived; but that is frequently merely an appearance. The philosopher might have come several centuries earlier; he would have had to deal with another philosophy and another science; he would have given himself other problems; he would have expressed himself by other formulas; not one chapter perhaps of the books he wrote would have been what it is; and nevertheless he would have said the same thing.
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