"You must be life for me to the very end," so he writes. "That is the only way in which to sustain my idea of you. Because you have gotten, as you see, tied up with something so vital to me, I do not think I shall ever shake you off. Nor do I wish to. I want you to live more vitally every day, as I am dead. That is why, when I speak of you to others, I am just a bit ashamed. It's hard to talk of one's self so intimately"

Show me a man who over-elaborates and I will show you a great man! What is called their 'overelaboration' is my meat: it is the sign of struggle, it is struggle itself with all the fibers clinging to it, the very aura and ambiance of the discordant spirit. And when you show me a man who expresses himself perfectly I will not say that he is not great, but I will say that I am unattracted . . . I miss the cloying qualities. When I reflect that the task which the artist implicitly sets himself is to overthrow existing values, to make of the chaos about him an order which is his own, to sow strife and ferment so that by the emotional release those who are dead may be restored to life, then it is that I run with joy to the great and imperfect ones, their confusion nourishes me, their stuttering is like divine music to my ears.

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Men are more or less reconciled to the thought of death, but they also know that it is not necessary to kill one another. They know it intermittently, just as they know other things which they conveniently proceed to forget where there is danger of having their sleep disturbed. To live without killing is a thought which could electrify the world, if men were only capable of staying awake long enough to let the idea soak in. But man refuses to stay awake because if he did, he would be obliged to become something other than he now is, and the thought of that is apparently too painful for him to endure. If man were to come to grips with his real nature, if he were to discover his real heritage, he would become so exalted, or else so frightened, that he would find it impossible to go to sleep again. To live would be a perpetual challenge to create. But the very thought of a possible, swift and endless metamorphosis terrifies him. He sleeps now, not comfortably to be sure, but certainly more and more obstinately, in the womb of a creation whose only need of verification is his own awakening.

To be silent the whole day long, see no newspaper, hear no radio, listen to no gossip, be thoroughly and completely lazy, thoroughly and completely indifferent to the fate of the world is the finest medicine a man can give himself.

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I stood before a mirror and said fearfully: “I want to see how I look in the mirror with my eyes closed.”

These wrods of Richter’s, when I first came upon them, made an indescribable commotion in me. As did the following, which seems almost like a corollary of the above — from Novalis:

The seat of the soul is where inner world and outer world touch each other. For nobody knows himself, if he is only himself and not also another one at the same time.

To take possession of one’s transcendental I, to be the I of one’s I, at the same time, as Novalis expressed it again.

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