Polish-American writer (1904–1991)
Isaac Bashevis Singer (Yiddish: יצחק באַשעװיס זינגער or יצחק בת־שבֿעס זינגער; pseudonym: Icek Hersz Zynger;[1] born 21 November 1902 as Icek Zynger, died 24 July 1991) was a Polish-American writer of short stories and novels in Yiddish; he used his mother's name in devising his penname "Bashevis" (son of Bathsheba). He received the Nobel Prize in Literature in 1978.
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No doubt the world is entirely an imaginary world,
but it is only once removed from the true world. At the
door of the hovel where I lie, there stands the plank on
which the dead are taken away. The gravedigger Jew
has his spade ready. The grave waits and the worms are
hungry; the shrouds are prepared-! carry them in my
beggar's sack. Another shnorrer is waiting to inherit my
bed of straw. When the time comes I will go joyfully.
Whatever may be there, it will be real, without complication,
without ridicule, without deception. God be
praised: there even Gimpel cannot be deceived.
"En pensée, Herman fit l'oraison funèbre de la souris qui avait partagé une partie de sa vie et qui, à cause de lui, avait quitté cette terre. "Tous ces érudits, tous ces philosophes, les dirigeants de la planète, que savent-ils de quelqu'un comme toi? Ils se sont persuadé que l'homme, espèce pécheresse entre toutes, domine la création. Toutes les autres créatures n'auraient été créées que pour lui procurer de la nourritures, des fourrures, pour être martyrisées, exterminées. Pour ces créatures, tous les humains sont nazis; pour les animaux, c'est un éternel Treblinka.
When people come together — let's say they come to a little party or something — you always hear them discuss character. They will say this one has a bad character, this one has a good character, this one Is a fool, this one is a miser. Gossip makes the conversation. They all analyze character. It seems that the analysis of character is the highest human entertainment. And literature does it, unlike gossip, without mentioning real names.
The writers who don't discuss character but problems — social problems or any problems — take away from literature its very essence. They stop being entertaining. We, for some reason, always love to discuss and discover character. This is because each character is different, and human character is the greatest of puzzles.