can tell you the happiest a person can possibly be. ’Cause I’ve taken note of it. The happiest you can be is to be from a Latin country and score a goal in soccer. It’s probably four to eight seconds. But I don’t think it’s possible to be happier than that. I’ve never seen a greater happiness than that. Can you name me a happier person? Happier than that? Happiest you can be. I don’t think you can beat it. No sex stuff either. That’s too easy.
American comedian and actor
Jerome Allen "Jerry" Seinfeld (born April 29, 1954) is an American stand-up comedian, actor, writer, and producer. He is best known for playing a semi-fictionalized version of himself in the sitcom Seinfeld, which he created and wrote with Larry David. The show aired on NBC from 1989 until 1998, becoming one of the most acclaimed and popular American sitcoms of all time. As a stand-up comedian, Seinfeld specializes in observational comedy.
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Here's the great thing about writing: you don't have to do it. All you have to do is not do anything else in that time frame. So: you put your idea down and... now, you don't have to do anything. You just sit there and you eventually will realize "There's a problem here." Right? And your brain will naturally try and solve the problem, and the next thing you know, you're writing! So, it's not about forcing yourself to write; it's about creating a -- what do we call it? -- a "discrete space". Is that the right word? So, that's how you write: create a place and time where that's what's happening... but you don't have to write! Just be there with the problem.
The key to marriage -- of course -- is to make the other person happy. I tell all my guy friends: "Make your wife happy. You're not gonna be happy, so don't even worry about that. And that's good, 'cause that cuts your work in half!" And... further: that men don't want to be happy. We don't know what [happiness] is. We don't care what it is. We've never experienced it and couldn't be less interested in it. We just want to do whatever stupid thing it is that we're doing; that's men.
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There's something about [writing] -- whether it's a cubicle allegory, or it's a homework or schoolwork metaphor -- there's something about it that totally repels the comic mind. "I can't-- I'm not doin' that. That's work!" Which it is, but only in the beginning! Only in the first ten, fifteen minutes, right? Then, you're kind of havin' fun! You're makin' up stuff. Who cares if it works? Who cares?