Writing not long ago to my oldest literary friend, I expressed in a moment of heedless sentiment the wish that we might have again one of our talks of long-past days, over the purposes and methods of our art. And my friend, wiser than I, as he has always been, replied with this doubting phrase "Could we recapture the zest of that old time?" I would not like to believe that our faith in the value of imaginative art has diminished, that we think it less worth while to struggle for glimpses of truth and for the words which may pass them on to other eyes; or that we can no longer discern the star we tried to follow; but I do fear, with him, that half a lifetime of endeavour has dulled the exuberance which kept one up till morning discussing the ways and means of aesthetic achievement. We have discovered, perhaps with a certain finality, that by no talk can a writer add a cubit to his stature, or change the temperament which moulds and colours the vision of life he sets before the few who will pause to look at it. And so — the rest is silence, and what of work we may still do will be done in that dogged muteness which is the lot of advancing years. Other times, other men and modes, but not other truth. Truth, though essentially relative, like Einstein's theory, will never lose its ever-new and unique quality — perfect proportion; for Truth, to the human consciousness at least, is but that vitally just relation of part to whole which is the very condition of life itself. And the task before the imaginative writer, whether at the end of the last century or all these aeons later, is the presentation of a vision which to eye and ear and mind has the implicit proportions of Truth.

He was a wanderer by nature, and even if England and the nearer East were closed to him, the world was wide, the sun shone in many places, the stars wheeled over one, books could be read, women had beauty, flowers scent, tobacco its flavour, music its moving power, coffee its fragrance, horses and dogs and birds were the same seductive creatures,

It's always worth while before you do anything to consider whether it's going to hurt another person more than is absolutely necessary.

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But we all know the power of the passion of love; and I would ask you to remember, gentlemen, in listening to her evidence, that, married to a drunken and violent husband, she has no power to get rid of him; for, as you know, another offence besides violence is necessary to enable a woman to obtain a divorce; and of this offence it does not appear that her husband is guilty.

Love is not a hot-house flower, but a wild plant, born of a wet night, born of an hour of sunshine; sprung from wild seed, blown along the road by a wild wind. A wild plant that, when it blooms by chance within the hedge of our gardens, we call a flower; and when it blooms outside we call a weed; but, flower or weed, whose scent and colour are always, wild!

Isn’t this a nice clean place? Loo! What d’you like best in all the world?”
The answer came almost inaudibly from the white puckered lips: “Pictures.”
“That exactly what you’re going to have, every day — twice a day. Think of that. Shut your eyes and have a nice sleep, and when you wake the pictures will begin. Shut your eyes! And I’ll tell you a story. Nothing’s going to happen to you. See! I’m here.”
He thought she had closed her eyes, but pain gripped her suddenly again; she began whimpering and then screamed.
“God!” murmured Hilary. “Another touch, doctor, quick!”
The doctor injected morphia.
“Leave us alone again.”
The doctor slipped away, and the child’s eyes came slowly back to Hilary’s smile. He laid his fingers on her small emaciated hand.
“Now, Loo, listen!
“‘The Walrus and the Carpenter were walking hand in hand,
They wept like anything to see such quantities of sand.
“If seven maids with seven brooms could sweep for half a year, Do you suppose,” the Walrus said, “that they could get it clear?”
“I doubt it,” said the Carpenter, and shed a bitter tear!’”
On and on went Hilary, reciting ‘The Mad Hatter’s Tea-party.’ And, while he murmured, the child’s eyes closed, the small hand lost warmth.
He felt its cold penetrating his own hand and thought: ‘Now, God, if you are — give her pictures!

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A sudden ache beset his heart; he had stumbled on just one of those past moments in his life, whose beauty and rapture he had failed to arrest, whose wings had fluttered away into the unknown; he had stumbled on a buried memory, a wild sweet time, swiftly choked and ended.