John Galsworthy Quotes

Only love makes fruitful the soul. The sense of form that both had in such high degree prevented much demonstration; but to be with him, do things for him, to admire, and credit him with perfection; and, since she could not exactly wear the same clothes or speak in the same clipped, quiet, decisive voice, to dislike the clothes and voices of other men — all this was precious to her beyond everything.

Love of beauty is really only the sex instinct, which nothing but complete union satisfies.

Is not the training of an artist a training in the due relation of one thing with another, and in the faculty of expressing that relation clearly; and, even more, a training in the faculty of disengaging from self the very essence of self — and passing that essence into other selves by so delicate means that none shall see how it is done, yet be insensibly unified? Is not the artist, of all men, foe and nullifier of partisanship and parochialism, of distortions and extravagance, the discoverer of that jack-o'-lantern — Truth; for, if Truth be not Spiritual Proportion I know not what it is. Truth it seems to me — is no absolute thing, but always relative, the essential symmetry in the varying relationships of life; and the most perfect truth is but the concrete expression of the most penetrating vision. Life seen throughout as a countless show of the finest works of Art; Life shaped, and purged of the irrelevant, the gross, and the extravagant; Life, as it were, spiritually selected — that is Truth; a thing as multiple, and changing, as subtle, and strange, as Life itself, and as little to be bound by dogma. Truth admits but the one rule: No deficiency, and no excess! Disobedient to that rule — nothing attains full vitality. And secretly fettered by that rule is Art, whose business is the creation of vital things.

Come! Let us lay a lance in rest, And tilt at windmills under a wild sky! For who would live so petty and unblest That dare not tilt at something ere he die; Rather than, screened by safe majority, Preserve his little life to little end, And never raise a rebel cry!

inquiry of Jack Cardigan: ‘What’s the use of keepin’ fit?’ or, more simply, to the fact that he was a foreigner, or alien as it was now called.

Soames screwed up his eyes; he seemed to see them sitting there. Ah! and the atmosphere — even now, of too many stuffs and washed lace curtains, lavender in bags, and dried bees’ wings. ‘No,’ he thought, ‘there’s nothing like it left; it ought to be preserved.’ And, by George, they might laugh at it, but for a standard of gentle life never departed from, for fastidiousness of skin and eye and nose and feeling, it beat to-day hollow — to-day with its Tubes and cars, its perpetual smoking, its cross-legged, bare-necked girls visible up to the knees and down to the waist if you took the trouble (agreeable to the satyr within each Forsyte but hardly his idea of a lady), with their feet, too, screwed round the legs of their chairs while they ate, and their “So longs,” and their “Old Beans,” and their laughter — girls who gave him the shudders whenever he thought of Fleur in contact with them; and the hard-eyed, capable, older women who managed life and gave him the shudders too. No! his old aunts, if they never opened their minds, their eyes, or very much their windows, at least had manners, and a standard, and reverence for past and future.

Ljubav kao njezina — strastvena, koja obožava, koja štiti, koja čezne za potpunim podavanjem i žrtvovanjem same sebe, ali koja potajno traži i punu njegovu ljubav — jer kako bi bez toga mogla ljubiti ponosna žena? — takva ljubav čezne uvijek za potpunijim sjedinjenjem, nego što je moguće u ovom svijetu, gdje se sve mijenja i pokreće.

...we're all so interdependent that in order to look after oneself one's got to look after others no less.

If you do not think about the future, you cannot have one.

Every reader of a newspaper felt that the more he or she heard about what was doubtful, sensational, and unsavoury, the better for his or her soul. One knew that, without coroners’ inquests, there would often be no published enquiry at all into sensational death; and never two enquiries. If, then, in place of no enquiry one could always have one enquiry, and in place of one enquiry sometimes have two enquiries, how much pleasanter! The dislike which one had for being nosy disappeared the moment one got into a crowd. The nosier one could be in a crowd the happier one felt. And the oftener one could find room in a Coroner’s Court, the greater the thankfulness to Heaven. “Praise God from whom all blessings flow” could never go up more fervently than from the hearts of such as had been privileged to find seats at an enquiry about death. For an enquiry about death nearly always meant the torture of the living, and than that was anything more calculated to give pleasure?

To every man of great age - to Sir Wlater Bentham himself - the idea of suicide has once at least been present in the ante-room of his soul; on the threshold, waiting to enter, held out from the inmost chamber by some chance reality, some vague fear, some painful hope.
The Man of Property, p. 363

that slow and beautiful decay which flings crowns underfoot to star the earth with fallen glories,

"He won't be happy till he gets it," said Michael, at last: "The only thing is, you see, he doesn't know what IT is."

Art is the great and universal refreshment. For Art is never dogmatic; holds no brief for itself; you may take it, or you may leave it. It does not force itself rudely where it is not wanted. It is reverent to all tempers, to all points of view. But it is wilful — the very wind in the comings and goings of its influence, an uncapturable fugitive, visiting our hearts at vagrant, sweet moments; since we often stand even before the greatest works of Art without being able quite to lose ourselves! That restful oblivion comes, we never quite know when — and it is gone! But when it comes, it is a spirit hovering with cool wings, blessing us from least to greatest, according to our powers; a spirit deathless and varied as human life itself.

Perfection, cosmically, was nothing but perfect Equanimity and Harmony; and in human relations, nothing but perfect Love and Justice. And Perfection began to glow before the eyes of the Western world like a new star, whose light touched with glamour all things as they came forth from Mystery, till to Mystery they were ready to return. This — I thought is surely what the Western world has dimly been rediscovering. There has crept into our minds once more the feeling that the Universe is all of a piece, Equipoise supreme; and all things equally wonderful, and mysterious, and valuable. We have begun, in fact, to have a glimmering of the artist's creed, that nothing may we despise or neglect — that everything is worth the doing well, the making fair — that our God, Perfection, is implicit everywhere, and the revelation of Him the business of our Art.