Joseph Campbell Quotes

You see, religion is really a kind of second womb. It’s designed to bring this extremely complicated thing, which is a human being, to maturity, which means to be self-motivating, self-acting. But the idea of sin puts you in a servile condition throughout your life. MOYERS: But that’s not the Christian idea of creation and the Fall. CAMPBELL: I once heard a lecture by a wonderful old Zen philosopher, Dr. D. T. Suzuki. He stood up with his hands slowly rubbing his sides and said, “God against man. Man against God. Man against nature. Nature against man. Nature against God. God against nature — very funny religion!

The very cave you are afraid to enter turns out to be the source of what you are looking for.

Those who know, not only that the Everlasting lives in them, but that what they, and all things, really are is the Everlasting, dwell in the groves of the wish-fulfilling trees, drink the brew of immortality, and listen everywhere to the unheard music of eternal concord. These are the immortals.

To translate knowledge and information into experience: that seems to be the function of literature and art.

"Once we have broken free of the prejudices of our own provincially limited ecclesiastical, tribal, or national rendition of the world archetypes, it becomes possible to understand that the supreme initiation is not that of the local motherly fathers, who then project aggression onto the neighbors for their own defense. The good news, which the World Redeemer brings and which so many have been glad to hear, zealous to preach, but reluctant, apparently, to demonstrate, is that God is love, the He can be, and is to be, loved, and that all without exception are his children. Such comparatively trivial matters as the remaining details of the credo, the techniques of worship, and devices of episcopal organization (which have so absorbed the interest of Occidental theologians that they are today seriously discussed as the principal questions of religion), are merely pedantic snares, unless kept ancillary to the major teaching. Indeed, where not so kept, they have the regressive effect: they reduce the father image back again to the dimensions of the totem. And this, of course, is what has happened throughout the Christian world. One would think that we had been called upon to decide or to know whom, of all of us, the Father prefers. Whereas, the teaching is much less flattering: "Judge not, that ye be not judged." The World Savior's cross, in spite of the behavior of its professed priests, is a vastly more democratic symbol than the local flag."

Heaven and hell are within us, and all the gods are within us. This is the great realization of the Upanishads of India in the ninth Century B.C. All the gods, all the heavens, all the world, are within us. They are magnified dreams, and dreams are manifestations in image form of the energies of the body in conflict with each other. That is what myth is. Myth is a manifestation in symbolic images, in metaphorical images, of the energies of the organs of the body in conflict with each other. This organ wants this, that organ wants that. The brain is one of the organs.

"Sakyamuni means "the silent one or the sage (muni) of the Sakya clan". Though he is the founder of a widely taught world religion, the ultimate core of his doctrine remains concealed, necessarily, in silence."

Willed introversion, in fact, is one of the classic implements of creative genius and can be employed as a deliberate device. It drives the psychic energies into depth and activates the lost continent of unconscious infantile and archetypal images. The result, of course, may be a disintegration of consciousness more or less complete (neurosis, psychosis: the plight of spellbound Daphne); but on the other hand, if the personality is able to absorb and integrate the new forces, there will be experienced an almost superhuman degree of self-consciousness and masterful control. This is a basic principle of the Indian disciplines of yoga. It has been the way, also, of many creative spirits in the West.25 It cannot be described, quite, as an answer to any specific call. Rather, it is a deliberate, terrific refusal to respond to anything but the deepest, highest, richest answer to the as yet unknown demand of some waiting void within: a kind of total strike, or rejection of the offered terms of life, as a result of which some power of transformation carries the problem to a plane of new magnitudes, where it is suddenly and finally resolved.

In the absence of an effective general mythology, each of us has his private, unrecognized, rudimentary, yet secretly potent pantheon of dreams.

The unpardonable sin, in Campbell’s book, was the sin of inadvertence, of not being alert, not quite awake.

CAMPBELL: There has to be a training to help you open your ears so that you can begin to hear metaphorically instead of concretely. Freud and Jung both felt that myth is grounded in the unconscious. Anyone writing a creative work knows that you open, you yield yourself, and the book talks to you and builds itself. To a certain extent, you become the carrier of something that is given to you from what have been called the Muses — or, in biblical language, “God.” This

The creative act is not hanging on, but yielding to a new creative movement. Awe is what moves us forward.

Tragedy is the shattering of the forms and of our attachment to the forms; comedy, the wild and careless, inexhaustible joy of life invincible.

The hero is the champion of things becoming, not of things become, because he is.

Theseus and Ariande. Theseus says to Ariande, “I’ll love you forever if you can show me a way to come out of the labyrinth.” So she gives him a ball of string, which he unwinds as he goes into the labyrinth, and then follows to find the way out. You say, “All he had was the string. That’s all you need.” CAMPBELL: That’s all you need — an Ariande thread. MOYERS: Sometimes we look for great wealth to save us, a great power to save us, or great ideas to save us, when all we need is that piece of string.