The other guests clapped. I sat down again, full of disgust for myself, because even though losing control of my emotions made a good impression and gave extra emphasis to what I had said, I was ashamed that I had revealed such weakness.

Memory is not a reliable quantity in life. And it isn’t for the simple reason that memory doesn’t prioritize the truth. It is never the demand for truth that determines whether memory recalls an action accurately or not. It is self-interest that does. Memory is pragmatic, it is sly and artful, but not in any hostile or malicious way; on the contrary, it does everything it can to keep its host satisfied. Something pushes a memory into the great void of oblivion, something distorts it beyond recognition, something misunderstands it totally, something, and this something is as good as nothing, recalls it with sharpness, clarity, and accuracy. That which is remembered accurately is never given to you to determine.

You know too little and it doesn't exist. You know too much and it doesn't exist. Writing is drawing the essence of what we know out of the shadows. That is what writing is about. Not what happens there, not what actions are played out there, but the THERE itself. There, that is writing's location and aim. But how to get there?

I had decided ages ago that I would not continue my education after school, what we learned was just rubbish, basically what life was about was living, and living in the way you want, in other words, enjoying your life. Some enjoyed their lives best by working, others by not working. OK, I was aware that I would need money, which meant that I would also have to work, but not all the time and not on something that would deplete all my energy and eat into my soul, leaving me like one of the middleaged halfwits who guarded their hedges and peered across at their neighbours to see if their status symbols were as wonderful as their own.
I didn’t want that.
But money was a problem.

From my own childhood I remember only a handful of incidents, all of which I regarded as momentous, but which I now understand were a few events among many, which completely expunges their meaning, for how can I know that those particular episodes that lodged themselves in my mind were decisive, and not all the others of which I remember nothing?

I had gained an insight. At great expense, but it was real and important: I was not a writer. What writers had, I did not have. I fought against this insight, I told myself I might be able to have what writers had, it might be attainable provided I persisted for long enough, while knowing in fact this was only a consolation. - Karl Ove Knausgaard, after his year at the Bergen Writing Academy

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I had always liked darkness. When I was small I was afraid of it if I was alone, but when I was with other I loved it and the change to the world it brought. Running around in the forest or between houses was different in the darkness, the world was enchanted, and we, we were breathless adventurers with blinking eyes and pounding hearts.

When I was older there was little I liked better than to stay up at night, the silence and the darkness had an allure, they carried the promise of something immense. And autumn was my favorite season, wandering along the road by the river in the dark and the rain, not much could beat that.

But this darkness was different. This darkness rendered everything lifeless. It was static, it was the same whether you were awake or asleep, and it became harder and harder to motivate yourself to get up in the morning.