Karl Ove Knausgård Quotes

The music was linked with almost everything I had done, none of the records came without a memory. Everything that had happened in the last five years rose like steam from a cup when I played a record, not in the form of thoughts or reasoning, but as moods, openings, space. Some general, others specific. If my memories were stacked in a heap on the back of my life’s trailer, music was the rope that held them together and kept it, my life, in position.

He was the kind to cut through to the essence, and thus someone who made a difference.

I had no future either, not because it existed somewhere else but because I couldn’t imagine it. That I might control my future and try to make it turn out the way I wanted was completely beyond my horizon. Everything was of the moment, I took everything as it came and acted on the basis of premises I didn’t even know myself, and without realizing this is what I did.

Strong themes and styles have to be broken down before literature can come into being. It is this breaking down that is called “writing.” Writing is more about destroying than creating.

For who brooded over the meaninglessness of life anymore? Teenagers. They were the only ones who were preoccupied with existential issues, and as a result there was something puerile and immature about them, and hence it was doubly impossible for adults with their sense of propriety intact to deal with them. However, this is not so strange for we never feel more strongly and passionately about life than in our teenage years, when we step into the world for the first time, as it were, and all our feelings are new feelings. So there they are, with their big ideas on small orbits, looking this way and that for an opportunity to launch them, as the pressure builds. And who is it they light upon sooner or later but Uncle Dostoevsky.

There is only one thing children find harder to hold back than tears, and that is joy.

I have always had a great need for solitude. I require huge swathes of loneliness and when I do not have it, which has been the case for the last five years, my frustration can sometimes become almost panicked, or aggressive.

How desperate do you have to be to start doing push-ups to solve your problems?

I have never understood the point of holidays, have never felt the need for them and have always just wanted to do more work.

Now I saw his lifeless state. And that there was no longer any difference between what once had been my father and the table he was lying on, or the floor on which the table stood, or the wall socket beneath the window, or the cable running to the lamp beside him. For humans are merely one form among many, which the world produces over and over again, not only in everything that lives but also in everything that does not live, drawn in sand, stone, and water. And death, which I have always regarded as the greatest dimension of life, dark, compelling, was no more than a pipe that springs a leak, a branch that cracks in the wind, a jacket that slips off a clothes hanger and falls to the floor.

For life, it's very, very bad to be sensitive, but for a writer, it's very good.

I had always liked darkness. When I was small I was afraid of it if I was alone, but when I was with other I loved it and the change to the world it brought. Running around in the forest or between houses was different in the darkness, the world was enchanted, and we, we were breathless adventurers with blinking eyes and pounding hearts.

When I was older there was little I liked better than to stay up at night, the silence and the darkness had an allure, they carreid the promise of something immense. And autumn was my favorite season, wandering along the road by the river in the dark and the rain, not much could beat that.

But this darkness was different. This darkness rendered everything lifeless. It was static, it was the same whether you were awake or asleep, and it became harder and harder to motivate yourself to get up in the morning.

Old age. All the facial detail is visible; all the traces life has left there are to be seen. The face is furrowed, wrinkled, sagging, ravaged by time. But the eyes are bright and, if not young, then somehow transcend the time that otherwise marks the face. It is as though someone else is looking at us, from somewhere inside the face, where everything is different. One can hardly be closer to another human soul.

Only what slips through one's fingers, only what is never expressed in words, has no thoughts, exists completely. That is the price of proximity: you don't see it. Don't know that it's there. Then it is over, then you see it.

I am here, at this moment in time. It's enough.