I walked steadily, effortlessly, hour after hour, in a kind of swinging, weightless dream. I was at that age which feels neither strain nor friction, when the body burns magic fuels, so that it seems to glide in warm air, about a foot off the ground, smoothly obeying its intuitions

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It was then I began to on my bed and stare out at the nibbling squirrels, and to make up poems from intense abstraction, hour after unmarked hour, imagination scarcely faltering once, rhythm hardly skipping a beat, while my sisters called me, suns rose and fell, and the poems I made, which I never remembered, were the first and last of that time….

For years I have lived in the flats, rooms and garrets of this city, the drawers in the human filing-cabinets that stand in blank rows down the streets of Kensington and Notting Hill. Yet when I talk of home I think of that damp green valley near Stroud where I was brought up. The boys I went to school with have long since grown and fattened, got married and gone bald, and they would probably have to give me a very long look before they recognized me if I turned up there again. But that is my home, and the image of it the day I left it is still more real to me than long years in this crowded capital city.

At other times the daughter, heart-stoppingly voluptuous in her tight Californian pants, would lead me by the hand through the ruined garden, to the last clump of still rooted myrtles, then crouch, bare-kneed, and pull me down beside her, and demand to know my ideological convictions. Beautiful Cleo; she never knew what she did to me, her eyes slanting under the myrtle leaves, her coiled russet limbs like something from a Rousseau jungle, her chatter never still for a moment. But not of what I expected; never a word about love, or my hunger, or the summer night.

So London remains my cage, the door is open, but I cannot leave. Meanwhile, the cage is comfortable enough. And now, as I finish this somewhat ungrateful piece, if I am conscious of a faintly bitter taste in my mouth, it is, I must confess, my own fault. I have just been biting the hand that feeds me, and it tastes of soot.

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I was propelled, of course, by the traditional forces that had sent many generations along this road - by the small tight valley closing in around one, stifling the breath with its mossy mouth, the cottage walls narrowing like the arms of an iron maiden, the local girls whispering, ‘Marry, and settle down.’

Now we go off to the office and come home in the evenings to cheap chicken and frozen peas. Very nice, but too much of it, too easy and regular, served up without effort or wanting. We eat, we are lucky, our faces are shining with fat, but we don't know the pleasure of being hungry any more.

Of course, there is one great virtue in size; and of course, London is the greatest show on earth, for never have so many human characters been gathered together in one place. Here, in a day, you can see the world. Stand at the entrance to a main-line railway station, during the rush-hour, and you see every possible human species scurrying past. One becomes amazed and transported by the multiplicity of the human face, by its infinite differences, by its almost prismatic graduations from ugliness to beauty, evil to good.

These poems were written by someone I once was and who is so distant to me now that I scarcely recognize him anymore. They speak for a time and a feeling which of course has gone from me but for which I still have a close affection and kinship.

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