British writer (1914-1997)
Laurence Edward Alan "Laurie" Lee, MBE (26 June 1914 – 13 May 1997) was an English poet, novelist and screenwriter.
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Charm is the ultimate weapon, the supreme seduction, against which there are few defences. If you've got it, you need almost nothing else, neither money, looks, nor pedigree. It's a gift, only to be given away, and the more used the more there is. It is also a climate of behaviour set for the perpetual summer and thermostatically controlled by taste and tact.
So London remains my cage, the door is open, but I cannot leave. Meanwhile, the cage is comfortable enough. And now, as I finish this somewhat ungrateful piece, if I am conscious of a faintly bitter taste in my mouth, it is, I must confess, my own fault. I have just been biting the hand that feeds me, and it tastes of soot.
Of course, there is one great virtue in size; and of course, London is the greatest show on earth, for never have so many human characters been gathered together in one place. Here, in a day, you can see the world. Stand at the entrance to a main-line railway station, during the rush-hour, and you see every possible human species scurrying past. One becomes amazed and transported by the multiplicity of the human face, by its infinite differences, by its almost prismatic graduations from ugliness to beauty, evil to good.
For years I have lived in the flats, rooms and garrets of this city, the drawers in the human filing-cabinets that stand in blank rows down the streets of Kensington and Notting Hill. Yet when I talk of home I think of that damp green valley near Stroud where I was brought up. The boys I went to school with have long since grown and fattened, got married and gone bald, and they would probably have to give me a very long look before they recognized me if I turned up there again. But that is my home, and the image of it the day I left it is still more real to me than long years in this crowded capital city.
At other times the daughter, heart-stoppingly voluptuous in her tight Californian pants, would lead me by the hand through the ruined garden, to the last clump of still rooted myrtles, then crouch, bare-kneed, and pull me down beside her, and demand to know my ideological convictions. Beautiful Cleo; she never knew what she did to me, her eyes slanting under the myrtle leaves, her coiled russet limbs like something from a Rousseau jungle, her chatter never still for a moment. But not of what I expected; never a word about love, or my hunger, or the summer night.
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