Often I imagine in different and better times not have to be political. I can even imagine, when I am at the bottom of a long uphill grade, doing something besides writing novels, although I doubt it. But I never imagine living without poetry.

just as politically when there is no vocabulary for discussing your situation, when you're a woman before there is language of feminism, trying to understand what it's like to be a woman, you have no concepts, no vocabulary for even understanding your own situation.

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I am very interested in the voluntary families that people create; not just the communes but the informal social webs by which a great many people survive and flourish. A lot of my adult life I have been trying in one form or another to create alternatives to the nuclear family.

Unlike some separatists I don't view men as biologically impaired. I believe sexism is culturally conditioned and that if you change the culture, you will change the kind of behavior which people with the various sorts of genitalia will consider appropriate. What I hate in men is what I consider ugly, brutal, violent, mean behavior - behavior damaging to women, to men they consider inferior, to children, to other living creatures with whom we share our biosphere.

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I don't tend to smile a lot in situations where I feel on display - public situations. I speak directly and straightforwardly and bluntly, and that lack of subterfuge and lack of middle-class women's mannerisms is perceived by some men as hostile, just as Black behavior which is simply straightforward is perceived by some whites as hostile.

I think that there is in any of us numerous other people that we never live out, and our opposites are as fascinating as what we are. In fiction you get to live out all those little pieces of you, that never really come into your life at all.

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The reason I am political is because I want there to be a juster apportionment of the world's pleasure and less unjust apportionment of the world's pain. Power per se is fairly uninteresting to me, except as I observe it distorting peoples' characters.

We have to know how connected we are. It's quite remarkable, the very strange notion of the self today. We think the self stops right here. But my self doesn't stop here. It flows out into the people I love, into the people I have loved, the people I come from, the people I speak to. Sometimes, in dream or in vision, we encounter each other without boundaries. Being strong means being strong together.

If you're female in this society, culture tells you that you've had it if you're not twenty-two, blond, and weigh about ninety-two pounds. Then, even if you are twenty-two, blond, and weigh ninety-two pounds, you're still going to fail because you're going to get old. Women are destined to age into failure even if when they're young they are what society defines as perfect. Poems about women who are not twenty-two, blond, and ninety-two pounds can remind us of reality.

The farther you are from the centers of power in this society, the less likely you are to find validation of your experiences, your insights and ideas, your life. It is more important to you to find in art that validation, that respect for your experiences that no minority except the thin, white, and wealthy can count on.