For generations, scientists and philosophers have tried to explain ordinary reasoning in terms of logical principles — with virtually no success. I suspect this enterprise failed because it was looking in the wrong direction: common sense works so well not because it is an approximation of logic; logic is only a small part of our great accumulation of different, useful ways to chain things together.

One's present personality cannot share all the thoughts of one's older personalities — and yet it has some sense that they exist. This is one reason why we feel that we possess an inner Self — a sort of ever-present person-friend, inside the mind, whom we can always ask for help.

Questions about arts, traits, and styles of life are actually quite technical. They ask us to explain what happens among the agents of our minds. But this is a subject about which we have never learned very much... Such questions will be answered in time. But it will just prolong the wait if we keep using pseudo-explanation words like "holistic" and "gestalt." …It's harmful, when naming leads the mind to think that names alone bring meaning close.

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The "laws of thought" depend not only on the property of brain cells, but also on how they are connected. And these connections are established not by the basic, "general" laws of physics... To be sure, "general" laws apply to everything. But, for that very reason, they can rarely explain anything in particular. ...Each higher level of description must add to our knowledge about lower levels.

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Innate sentic detectors could help by teaching children about their own affective states. For if distinct signals arouse specific states, the child can associate those signals with those states. Just knowing that such states exist, that is, having symbols for them, is half the battle.

How do both music and vision build things in our minds? Eye motions show us real objects; phrases show us musical objects. We "learn" a room with bodily motions; large musical sections show us musical "places." Walks and climbs move us from room to room; so do transitions between musical sections. Looking back in vision is like recapitulation in music; both give us time, at certain points, to reconfirm or change our conceptions of the whole.

Our eyes are always flashing sudden flicks of different pictures to our brains, yet none of that saccadic action leads to any sense of change or motion in the world; each thing reposes calmly in its "place"! ...What makes us such innate Copernicans?