Spanish musician
Mattin is a Basque artist working mostly with noise and improvisation. Mattin also has written about improvisation and free software, and against the notion of intellectual property. In 2001 Mattin formed Sakada with Eddie Prévost and Rosy Parlane. He has over seventy releases in different labels around the world. He runs the experimental record labels w.m.o/r and Free Software Series, and the netlabel Desetxea. Mattin publishes his music under the no-licence of Anti-copyright. With Anthony Iles, he has edited the book Noise & Capitalism.
From: Wikiquote (CC BY-SA 4.0)
To be open, receptive and exposed to the dangers of making improvised music, means exposing yourself to unwanted situations that could break the foundations of your own security. … You must engage in questioning your security, see it as a constriction. You are aware and scared, as if you were in a dark corridor. Now you are starting to realise that what you thought of as walls existed only in your imagination.
Improvised music forces situations into play where musicians push each other into bringing different perspectives to their playing. Improvised music is not progressive in itself, but it invites constant experimentation. When players feel too secure about their approaches, the experimentation risks turning into Mannerism. What I would like to explore here are the moments in which players leave behind a safe zone and expose themselves in the face of the internalised structures of judgment that govern our appreciation of music. These I would call fragile moments.