South African writer (1923–2014)
Nadine Gordimer (20 November 1923 – 13 July 2014) was a South African Jewish novelist and writer, winner of the 1991 Nobel Prize in literature and 1974 Booker Prize.*, recognized as a writer "who through her magnificent epic writing has ... been of very great benefit to humanity".[1]
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The real influence of the events in the Soviet Union was to spread a lot of unease and anxiety in the African National Congress, because the Soviet Union had been the only country, really, that had stood by us all those years. The West never lifted a finger or gave a cent to the African National Congress. America, England, Germany-everyone supported the South African government against the attempts of the African National Congress to bring about change.
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Clustered predators round a kill. It's a small car with a young woman inside it. The battery has failed and taxis, cars, minibuses, vans, motorcycles butt and challenge one another, reproach and curse her, a traffic mob mounting its own confusion. Get going. Stupid bloody woman. Idikazana lomlungu, le! She throws up hands, palms open, in surrender. They continue to jostle and blare their impatience. She gets out of her car and faces them. (first lines)
She did have one book — a thick paperback snatched up in passing, until that moment something bought years ago and never read, perhaps it was meant for this kind of situation: Manzoni’s I Promessi Sposi, in translation as The Betrothed. She did not want to begin it because what would happen when she had read it? There was no other. Then she overcame the taboo (if she did not read, they would find a solution soon; if she did read the book, they would still be here when it was finished).
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When I began to write as a very young person in a rigidly racist and inhibited colonial society, I felt, as many others did, that I existed marginally on the edge of the world of ideas, of imagination and beauty. These, taking shape in poetry and fiction, drama, painting and sculpture, were exclusive to that distant realm known as 'overseas'.
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The zoo lions do no utter during the day. They yawn; wait for their ready-slaughtered kill to be tossed at them; keep their unused claws sheathed in huge harmless pads on which top-heavy, untidy heads rest,... gazing through lid-slats with what zoo visitors think of in sentimental prurience as yearning.Or once we were near the Baltic and the leviathan hooted from the night fog at sea. But would I dare to open my mouth now? Could I trust my breath to be sweet, these stale nights?