It is true that lot of anti-trans sentiment gets expressed in pseudo-feminist terms. Even if the pre-existing order of sex and gender disadvantages women, the idea of breaking down barriers is frightening to many members of the same group. Having segregation of a kind is actually what these women see as one of their few protections against men. In addition, it is hard to be angry at men or fight against them, simply because men are everywhere. Men are your father, brother, husband, or son. But trans people are perceived as different, weird and foreign. This makes them a good target for displaced feelings of threat and anger.
American YouTuber (born 1988)
Natalie Wynn (born October 21, 1988) is an American YouTube personality who specializes in comedic and educational videos about gender, race, politics, philosophy and social justice on her channel ContraPoints. She is a trans woman.
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As trans women we have little influence in society. The people who lead the conversations about us are bigger and stronger than we are. So we're like a jogger racing against a car. The only way to win is to hijack the car. And so this video is my attempt to hijack the conversation that straight men are having about us. As always my aspiration is to derive a woke conclusion from edgy premises, to shitpost my way to the moral high ground.
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In "Spongebob Squarepants" the character Squidward is fundamentally a figure of envy, stemming from failed ambition.... A lot of people my age who watched Spongebob as a kid, rewatch it now and are horrified to discover that they identify with Squidward. Whereas as children, they identified with Spongebob. Well, you either die a Spongebob or you live long enough to see yourself become the Squidward– And there's a pain in becoming the Squidward, which is usually explained as "the disappointing drudgery of adult life", or simply loss of childhood. I would argue that "envy of childhood" is the distinctive Squidwardian emotion.
This catalogue aria [from Mozart’s Don Giovanni] is what a boring white weirdo named Kierkegaard called the most epic moment of the opera. It’s the moment that we learn that Don Giovanni is not just a predator, but that he’s actually fucking insane. He doesn’t care whether the women are young or old, beautiful or ugly, rich or poor, he seduces them all the same, just to satisfy his manic urge to add them to the list. In the 21st century there are men who are really like this. They’re called Pick-Up Artists, and they want you to buy their erotic memoirs.