American science fiction writer (born 1959)
Neal Town Stephenson (born 31 October 1959) is an American writer, known primarily for his science fiction works in the postcyberpunk and chemical generation genres with a penchant for explorations of society, mathematics, currency, and the history of science.
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What would the engineer say, after you had explained your problem and enumerated all of the dissastisfactions in your life? He would probably tell you that life is a very hard and complicated thing; that no interface can change that; that anyone who believes otherwise is a sucker; and that if you don’t like having choices made for you, you should start making your own.
He had had many conversations during his long life. Some were fascinating and stayed with him more than a century later. Others were less so. As a younger man he had tolerated those as part of the cost of doing business—a sort of tax that all people must pay in order to take part in civilized society. When he had turned one hundred, he had decided to stop paying that tax. Henceforth he would engage only in conversations that really interested him—which, with a few exceptions for close friends and family members, meant conversations with a purpose.
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They laid in a course for Moab, which ought to have been as simple as laying in a course for any other place. But a little warning did come up on Sophia's UI, letting her know that the existence of Moab was in question. Opinions differed as to whether it had been burned off the surface of the world by a nuclear blast twelve years ago. ... “It’s easy to forget,” Sophia remarked, “that there are millions of people who really don’t believe that Moab still exists. But when you’re here, you see the REMEMBER MOAB stickers all over the place.”
[I] followed him past all the smiling secretaries, the cheery bottle-washer pushing a cartload of glassware, the unresponsive Xerox repairman, the hale-and-hearty fellow executives, blah blah blah. Being in an office just makes my skin crawl. All that good cheer. All that fine wool, the processed air, the mediocre coffee, fluorescent tubes, lipstick, new-carpet smell, the same fucking xeroxed cartoons tacked on the walls. I wanted to shout: one Far Side on the door does not an interesting person make.
What people do isn't determined by where they live. It happens to be their damned fault. They decided to watch TV instead of thinking when they were in high school. They decided to blow-off courses and drink beer instead of reading and trying to learn something. They decided to chicken out and be intolerant bastards instead of being openminded and, finally, they decided to go along with their buddies and do things that were terribly wrong when there was no reason they had to. Anyone who hurts someone else decides to hurt them, goes out of their way to do it.... The fact that it's hard to be a good person doesn't excuse going along and being an asshole. If they can't overcome their own fear of being unusual, it's not my fault, because any idiot ought to be able to see that if he just acts reasonably and makes a point of not hurting others, he'll be happier.
So I looked with fascination at those people in their mobes, and tried to fathom what it would be like. Thousands of years ago, the work that people did had been broken down into jobs that were the same every day, in organizations where people were interchangeable parts. All of the story had been bled out of their lives. That was how it had to be; it was how you got a productive economy. But it would be easy to see a will at work behind this: not exactly an evil will, but a selfish will. The people who'd made the system thus were jealous, not of money and not of power but of story. If their employees came home at day's end with interesting stories to tell, it meant that something had gone wrong: a blackout, a strike, a spree killing. The Powers That Be would not suffer others to be in stories of their own unless they were fake stories that had been made up to motivate them. People who couldn't live without story had been driven into the concents or into jobs like Yul's. All others had to look somewhere outside of work for a feeling that they were part of a story, which I guessed was why Sæculars were so concerned with sports, and with religion. How else could you see yourself as part of an adventure? Something with a beginning, middle, and end in which you played a significant part? We avout had it ready-made because we were a part of this project of learning new things. Even if it didn't always move fast enough for people like Jesry, it did move. You could tell where you were and what you were doing in that story. Yul got all of this for free by living his stories from day to day, and the only drawback was that the world held his stories to be of small account. Perhaps that was why he felt such a compulsion to tell them, not just about his own exploits in the wilderness, but those of his mentors.
My men think you are dead now, and won’t waste balls on you,” Jack said. “In fact I have let you live, but for one purpose only: so that you can make your way back to Paris and tell them the following: that the deed you are about to witness was done for a woman, whose name I will not say, for she knows who she is; and that it was done by ‘Half-Cocked’ Jack Shaftoe, L’Emmerdeur, the King of the Vagabonds, Ali Zaybak: Quicksilver!
The Utah state legislature had been taken over by Moab truthers who insisted that Moab had been obliterated by nuclear terrorism 12 years ago. From which it followed that anyone claiming to actually live there was a troll, a crisis actor in the pay of, or a sad dupe in thrall to, global conspirators trying to foist a monstrous denial of the truth on decent folk. In recognition of, and indignation over, which they had passed a law ordering the state licensing bureau to stop accepting motor vehicle paperwork from Moab.
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This was probably rooted in a belief that had been inculcated to him from the get-go: that there was an objective reality, which all people worth talking to could observe and understand, and that there was no point in arguing about anything that could be so observed and so understood. As long as you made a point of hanging out exclusively with people who had the wit to see and to understand that objective reality, you didn’t have to waste a lot of time talking. When a thunderstorm was headed your way across the prairie, you took the washing down from the line and closed the windows. It wasn’t necessary to have a meeting about it. The sales force didn’t need to get involved.