It hasn't come together finally. There's no end to this, and it changes over time. My relationship with history as I used to write it, and as I sometimes use it in my work — that was something that took several years, actually, for me to feel comfortable with. And as I continued to wrestle with it and to deal with it visually, it's that I can do whatever I want to the figure; I can do whatever I want with history…

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This was a new definition. I think there's room in our culture for interesting people who are black and for interesting people who are female and interesting people who are black and female. There's hardly any room to be interesting if you're old.

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I live in Newark, which was heavily - actually bulldozed in the 1960s in urban renewal. And we think of urban renewal as harming black people, which of course it did, but it also hit some other vulnerable people, and Italian-American neighborhoods also got it.

I think that’s the kind of relationship between recognition and black women. That you have to be an optimist to think something’s going to work out and just keep trying because if you concentrate on the really awful actual facts of life, then you’ll just crawl into bed and pull the covers over your head.

Just because you say that things in the 21 century are not the same as they were in the 20th century, doesnt mean that you're saying that we're in a post-racial society. We are not in a post-racial society, but things are not like they were in the age of segregation or slavery.