I think sometimes that people assume because I'm on television I'm an expert, but I think the whole point of what I do is that I'm not and I don't have any training. [...] My approach isn't about a fancy ingredient or style. I cook what I love to eat.

There are two Christmas traditions I've inherited from my mother. One is the feeling that Christmas isn't complete if you haven't got a ham as well as a turkey. It means that the leftovers are much better. And in a curious way, despite the fact that we're talking about Christmas and ham, it's a very Jewish thing to want to provide a huge spread. I always cook for eight, but make enough to feed 30...

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[A]ll food images, if they are successful, have the power to arouse appetite. They should be luscious and sexy. I have no embarrassment about the culinary come-on. But that's the limit of my erotic intent. I am always surprised when people read double entendres into my innocuous babble.

[Asked if cookery writing is a form of intimacy] I think there both is and isn't. I feel that writing about food allows one to be utterly honest, and personal, and in no way guarded. But, in some sense, it's a metaphor for the personal, rather than being actually personal. It's not revelatory, I would say. It's personal without being confessional. That's the kind of personal that I feel more comfortable with.

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It's like I can never watch myself on TV unless I have to do some editing before a show comes out. It's like hearing your voice back on a tape recorder and I'm sure you know how horrible that is. I always look for the worst things in myself - criticising my hair and stuff. I'm very self-conscious about it all.

I took a fortnight off. But I'm not a great believer in breaks. I don't want to be rattling around inside my own head. I did feel I was spiralling into a Kathy Burke character and tried going out, but I prefer it here. Filming keeps me busy. It absorbs me.