Till now consciousness, reason and morality were localised on planet Earth; by resurrecting all the generations who have lived on this Earth, consciousness will be disseminated to all the worlds of the Universe. Resurrection is the transformation of the Universe from that chaos towards which it is moving into cosmos — into the greatness of incorruptibility and indestructibility.
Russian philosopher and life extensionist (1829-1903)
(Никола́й Фёдорович Фёдоров; surname also Anglicized as "Fedorov", June 9, 1829 – December 28, 1903) was a Russian Orthodox Christian philosopher, who was part of the Russian cosmism movement and a precursor of transhumanism. Fyodorov advocated radical life extension, physical immortality and even resurrection of the dead, using scientific methods.
From: Wikiquote (CC BY-SA 4.0)
If the question, 'What has art become?', is synonymous with 'What are the reasons for the unbrotherliness between people and for the rift in the relations between nature and people?' then the question, 'What should art be?' is the same as the problem of establishing brotherly unity in order to transform the blind force of nature into a force guided by the reasoning powers of all the resurrected generations. In other words, what we are talking about is universal resurrection, since it is this that represents the complete restoration of kinship and that will provide art with the appropriate course to follow, and show it its goal. Transforming all the worlds into worlds guided by the reasoning powers of resurrected generations will constitute a complete resolution of the Copernican question and is at the same time identical to the primeval view – that is, the patrification of the heavens (the turning of the heavens into the fathers' abode), or catasterisation (the transferral of the fathers' souls to the stars) – which also finds its expression in church sculpture and painting. For children this primeval view is the most straightforward, an explanation and resolution of the Copernican question. To turn all the worlds into worlds guided by the reasoning powers of resurrected generations is also the most important goal of art.
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Nature, within man, was conscious of the evil of death, of its own imperfection. So the rebellion of the living (the vertical posture) and the resurrection of the dead, in the form of tombstones, are natural acts for a feeling, rational being. It was when the living (who had suffered a loss) rebelled and turned to heaven, and when the dead were resurrected in the form of tombstones, that art began. Prayer was the beginning of art. Prayer and the (vertical) prayer posture constituted the first acts of art; this was theo-anthropurgic art, which consisted of God creating man through man himself. For man is not only a product of nature but also a creation and concern of art. The last act of divine creation was the first act of human art, for man's purpose is to be a free being and consequently self-created, since only a self-created being can be free. In this act of self-creation – that is, in rebelling and turning towards heaven – man discovers God and God reveals himself to man; or, more precisely, on discovering the God of the fathers, the being who has made the discovery becomes not just a man, but a son of man. And only in the abstract sense, forgetting the loss, is it possible to say that the being which has discovered God has become man.
To solve the question, 'What should art be?' will be to solve the contradiction between rational being and the blind force of nature, to fathom the most abnormal relationship between man and nature, to solve the question of the subordination of rational being to blind force. Will nature always remain blind and, in its blindness, a destructive force, while art remains the creation of nothing but dead imitations? Will this division be temporary, or will it last for ever? Perfection lies in the unity of nature and art.
Neither the universal return to life, universal resurrection, nor even death itself, have hitherto been the subject of knowledge or well founded judgement. For there would have been full, detailed investigations into the reasons and conditions that have given rise to the phenomenon. For most people, death appears to be an absolute, inevitable phenomenon; but just how unfounded is this conclusion is obvious from the fact that it is considered acceptable to talk about the opposite of death, about immortality, and even about resurrection; and it is talked about as a possibility, in circumstances where all sorts of sins prevail among people, and all sorts of calamities and evils, arising from the folly of nature. But if the coexistence of the one with the other is unthinkable, since the one excludes the other, then can one talk about the possibility of death where there is moral and physical sinlessness, where nature shows such a benign attitude both within and outside man, of the sort that is deemed possible when man's knowledge and control of nature are complete?
Before talking about resurrection one must state firmly that, just as death is impossible where there exist sinlessness and knowledge that can control the forces of nature, so resurrection is impossible where there exist sin, ignorance and other misfortunes resulting from man's dependence on the blind forces of nature.
[M]an has always felt and recognised the imperfection of nature, and has never accepted it as law. He broke this law when he took his first step, because his vertical posture challenged gravity, the most universal law of nature. This upright position is not natural to man – it is supranatural – and he has achieved it artificially, through effort (by swaddling and other methods of adaptation). One cannot say of man that he is the creation of nature. On the contrary, he is the result of under-creation, of deprivation, of a natural pauperism which is shared by rich and poor alike; he is a proletarian, a pariah among living creatures. Yet in this lay the origin of his future greatness; deprived of natural cover and means of defence, he had to create all this himself by his own labour. Therefore man values only that which has been created by working, or which expands the area of application of work; it is not difficult to guess that the culmination of this forward movement must be that everything on which human life depends will ultimately be achieved through work, so that humans will depend solely on their labour. Consequently the entire world, the meteorological, telluric and cosmic processes, will be the responsibility of man, and nature will be his work. Man is driven towards this goal by hunger, disease and every other calamity, so that whenever he delays in expanding the area of work, the scope for disasters expands. Thus nature punishes man by death for his ignorance and sloth, and drives him to ever-expanding labour.
When external regulation has been achieved, the inner psychophysiological force will tilt the balance away from sexual drive and lust towards love for the parents, and will even replace them, thus transforming the force of procreation into one of re-creation, the lethal into a vivifying force; in other words, childbirth will be replaced by patrification, in fulfilment of the will of the God of the fathers.
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To abdicate the task of resuscitation leaves the human race only the choice between constitutional debating and despotism. To retain Easter as a feast only and the liturgy as a church service, an expression of an as yet incomplete love for the fathers which does not entail actual resuscitation, or, by abdicating completely brotherhood and filial love, to indulge on the graves of the fathers in bestial orgies followed by savage mutual extermination; to retain the art of dead likenesses or to annihilate any true likenesses; not merely to censure parents for giving life to their offspring without their consent, but to curse one's procreators; to retain academic class science or, rejecting all knowledge, to descend into the hopeless darkness of obscurantism; to remain in the perennial city of brides and bridegrooms, surrounded by toys and trifles, indulging in pleasures and entertainments, or else, rejecting not only fathers and forebears but even progeny, sons (artificially childless marriages), in order to indulge in boundless lechery; to retain will as either lust or mortification of the flesh; to retain sensuousness or to be satisfied by mere grieving for the dead or — the last and greatest evil — to plunge into nirvana, the product of total evil negation — such are the fruits of abdicating the task of resuscitation.
Be perfect as God your Father is perfect, God the Father of the living, not of the dead. Where should we look for models of living? In the world of the animals, of blind nature, or in a world that is superior to the human race? Should the model for our society be an organism and the blind evolution of life, or should the model for our unity-in-pluralism be the Divine Trinity, within which unity is not a yoke and independence not discord? Would not then Divine creativeness, replacing our present destruction of life, serve us as a model for its re-creation?
The will to procreate, as lust, engenders wealth and leads the human race to demoralisation (of which the Universal Exhibition is a striking expression), whereas the will to resuscitate, when the problem of returning life is seen as the purpose of conscious beings, moralises all the worlds of the Universe, because then all the worlds that are moved by insensate forces will be governed by the brotherly feelings of all the resurrected generations. This involves both their moralisation and their rationalisation, because then the worlds of the Universe will no longer be moved by blind insensate forces but will be governed by the feelings and reason of the resurrected generations.
Contrary to Schopenhauer's 'world as will and representation', it should be 'world as slavery and the project of liberation from enslavement', from dependence, from subordination to a blind force; for us the world has no will, and for beings endowed with feeling and capable of action and not mere contemplation, the world is not solely a representation but a project of liberation from bondage. The expression 'the world as will and representation' could be justifiably replaced by the expression 'the world as lust', for lust procreates and kills, giving birth to sons and destroying the fathers. For us the world is not a representation but a project, moreover one that does not oppose lust (the opposite of lust is asceticism) but transforms the procreating force into a re-creating one, the lethal into a vivifying. Then the world can no longer remain a representation but becomes a project of the restoration of the predecessors by the offspring, that is, a project of resuscitation. That is how it should be, but at the present time the world is as it is — lust and representation.