Spanish painter and sculptor (1881–1973)
Pablo Ruiz Picasso (25 October 1881 – 8 April 1973) was a Spanish artist who lived and worked in Paris for many years. Around 1906–1908 together with Georges Braque Picasso initiated cubism, based on a strong inspiration of Paul Cézanne's work.
From: Wikiquote (CC BY-SA 4.0)
Alternative Names:
Pablo Ruiz Y Picasso
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Pablo Ruiz
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Pablo Ruys Picasso
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Pablo Ruiz Picasso
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Pablo Ruys
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Picasso
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Pablo Ruiz y Picasso
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Pablo Diego José Francisco de Paula Juan Nepomuceno Crispín Crispiniano de la Santissima Trinidad Ruiz Blasco Picasso
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Pablo Diego Jose Francisco de Paula Juan Nepomuceno Crispin Crispiniano de la Santissima Trinidad Ruiz Blasco Picasso
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P. Picasso
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Pablo Diego José Francisco de Paula Juan Nepomuceno Cipriano de la Santísima Trinidad Ruiz Picasso
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Pablo Diego José Francisco de Paula Juan Nepomuceno Crispín Cipriano de la Santísima Trinidad María de los Remedios Alarcón y Herrera Ruiz Picasso
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Pablo Diego José Francisco de Paula Juan Nepomuceno Crispín Crispiniano de la Santísima Trinidad María de los Remedios Alarcón y Herrera Ruiz Picasso
From Wikidata (CC0)
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When Matisse dies, Chagall will be the only painter left who understands what color really is. I'm not crazy about those cocks and asses and flying violinists and all the folklore, but his canvasses are really painted, not just thrown together. Some of the last thing's he's done in Vence [where Matisse painted his late frescos in the chapel] convince me that there's never been anybody since Renoir who has the feeling for light that Chagall has. [Picasso is reacting to Chagall's daughter Ida, 1952]
The idea of research has often made painting go astray, and made the artist lose himself in mental lucubrations. Perhaps this has been the principal fault of modern art. The spirit of research has poisoned those who have not fully understood all the positive and conclusive elements in modern art and has made them attempt to paint the invisible and, therefore, the unpaintable.
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How can you expect a beholder to experience my picture as I experienced it? A picture comes to me a long time beforehand; who knows how long a time beforehand, I sensed, saw, and painted it and yet the next day even I do not understand what I have done. How can anyone penetrate my dreams, my instincts, my desires, my thought, which have taken a long time to fashion themselves and come to the surface, above all to grasp what I put there, perhaps involuntary.
Among the several sins that I have been accused of committing, none is more false than the one that I have, as the principal objective in my work, the spirit of research. When I paint my object is to show what I have found and not what I am looking for. In art intentions are not sufficient and, as we say in Spanish, love must be proved by facts and not by reasons... [Paris 1923].