Spanish painter and sculptor (1881–1973)
Pablo Ruiz Picasso (25 October 1881 – 8 April 1973) was a Spanish artist who lived and worked in Paris for many years. Around 1906–1908 together with Georges Braque Picasso initiated cubism, based on a strong inspiration of Paul Cézanne's work.
From: Wikiquote (CC BY-SA 4.0)
Pen Names:
Pau de Gósol
Alternative Names:
Pablo Ruiz Y Picasso
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Pablo Ruiz
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Pablo Ruys Picasso
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Pablo Ruiz Picasso
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Pablo Ruys
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Picasso
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Pablo Ruiz y Picasso
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Pablo Diego José Francisco de Paula Juan Nepomuceno Crispín Crispiniano de la Santissima Trinidad Ruiz Blasco Picasso
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Pablo Diego Jose Francisco de Paula Juan Nepomuceno Crispin Crispiniano de la Santissima Trinidad Ruiz Blasco Picasso
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P. Picasso
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Pablo Diego José Francisco de Paula Juan Nepomuceno Cipriano de la Santísima Trinidad Ruiz Picasso
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Pablo Diego José Francisco de Paula Juan Nepomuceno Crispín Cipriano de la Santísima Trinidad María de los Remedios Alarcón y Herrera Ruiz Picasso
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Pablo Diego José Francisco de Paula Juan Nepomuceno Crispín Crispiniano de la Santísima Trinidad María de los Remedios Alarcón y Herrera Ruiz Picasso
From Wikidata (CC0)
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The artist is a receptacle for emotions derived from anywhere: from the sky, from the earth, from a piece of paper, from a passing figure, from a spider’s web. This is a spider's web. This is why one must not make a distinction between things. For them there are no aristocratic quarterings. One must take things where one finds them.
In the old days pictures went forward toward completion by stages. Every day brought something new. A picture used to be a sum of additions. In my case a picture is a sum of destructions. I do a picture — then I destroy it. In the end though, nothing is lost: the red I took away from one place turns up somewhere else
They speak of naturalism in opposition to modern painting. I would like to know if anyone has ever seen a natural work of art. Nature and art, being two different things, cannot be the same thing. Through art we express our conception of what nature is not. Velasquez left us his idea of the people of his epoch. Undoubtedly they were different from what he painted them, but we cannot conceive a Philip IV in any other way than the one Velasquez painted... [Paris 1923].