Paul Klee Quotes

The artist does not ascribe to the natural form of appearance the same convincing significance as the realists who are his critics. He does not feel so intimately bound to that reality, because he cannot see in the formal products of nature the essence of the creative process. He is more concerned with formative powers than with formal products.

..(Then come the lovers of art / and contemplate the bleeding work from outside. / Then come the photographers. / "New art," it says in the newspaper the following day. / The learned journals / give it a name that ends in "ism").

Polyphonic painting is superior to music in that, here, the time element becomes a spatial element. The notion of simultaneity stands out even more richly.

My etchings have.. ..the mistake of being processed as images and to have at the same time the meaning of epigrams. It is the union of pure painting with pure graphics.. .From now onwards my task will be the division of art and graphics, and the full development of both fields. The pure art has already turned to impressionism and the graphics is going to do it.

In earlier versions of 'Woman and Beast' the woman suffered too much. Later I gave her that not altogether disgusted expression. Dissertations could be written about the significance of the 'ugliness' of my figures.

Structural concept in nature:
The grouping of the smallest recognizable entities in matter:
Bone matter is cellular or tubular. Ligament structure is a sinuous-fibrous web.
Tendons are continuous with the connective tissue of the muscle, strengthened by cross grain.

Twenty-one years old! I never doubted my vital force. But how is it to fare with my chosen art? The recognition that at bottom I am a poet, after all, should be no hindrance in the plastic arts! And should I really have to be a poet, Lord knows what else I should desire. Certainly, a sea swells within me, for I feel. It is a hopeless state, to feel in such a way that the storm rages on all sides at once and that nowhere is a lord who commands the chaos.

Yesterday was shaped by Kandinsky's move.. .This departure is what proves something for me.. .It is a friendship that overcomes a number of negative items, because the plus side stands firm and, in particular, because there is a link to my productive youth [in Munich].

The changeover was complete; in the summer of 1907 I devoted myself entirely to the appearance of nature and upon these studies built my black-and-white landscapes on glass, 1907/1908.

I am God / So much of the divine / is heaped in me / that I cannot die.
My head burns to the point of bursting.
One of the worlds / hidden in it / wants to be born. / But now I must suffer / to bring it forth.

Formerly it frequently happened to me that when questioned regarding a picture I simply did not know what it represented. I had not seen the subject, so to say. Now I have also included the content so that I know most of the time what is represented. But this only supports my experience that what matters in the ultimate end is the abstract meaning of harmonization (note from a letter, 1903)

The law that supports space - this should be the title appropriate to one of my future pictures!

I'll provide it if I'm officially asked to do so but it's below my dignity to initiate action against such primitive accusations. For even if I were a Jew, and did come from Galicia, this would alter neither my own worth nor that of my work one iota. My personal point of view is that a Jew and a foreigner is of no less intrinsic value than a German and a native, and I must not abandon it of my own accord, for if I did I would appear to posterity in an absurd light. I would rather cause myself trouble than become the tragicomic figure of one striving for the favour of those in power.

In art, too, there is room enough for exact research.. .What was accomplished in music before the end of the eighteenth century has hardly been begun in the pictorial field.

Art does not reproduce the visible rather, it makes visible.